Wow, it’s like The Ugly Truth never happened.

Justin Timberlake started out on a TV talent show like all the rest of them, but has gone on to make boy bands what they are today, become one of the most commercially successful singers in the world and star in some Hollywood movies, like Friends With Benefits which is out September 9. Oh, and he runs a record label, owns his own fashion brand, a couple of restaurants and his own brand of tequila.

Is probably quite pleased with himself.

She was jogging, not the car.

Captain Jack! CAPTAIN JACK! We’ve found the rum, mate.

Can you believe this is the thirty-fifth time you’ve read Orange(Wednesday)s and Lemons? If you got together a load of apples, flicked all the pips into a bowl and then read every OWL since January in one go whilst consuming 2.42g of pips per review, d’you know what would happen? You’d DIE. Serious stuff, eh? Enjoy the blog!

Half drowned from the deluge of rave reviews (and probably lagoon) with which it was met in Venice, Tomas Alfredson’s adaptation of John Le Carré’s classic Cold War thriller will shortly open in Britain. Don’t miss it. As engaging an adaptation of the labyrinthine novel as was the classic BBC series starring Alec Guinness, this is the very definition of a masterful translation to the screen.

CGI can be brilliant when placed in the right hands but, as always, with great power comes great responsibility. While most filmmakers can resist the temptation of overdosing on special effects, there’s a few out there who would quite happily shoot themselves up with as much computer imagery as possible and then lie there in a happy stupor, admiring the monsters they have created. Here are the 10 worst CGI moments ever…

The 12th of October draws ever nearer, and every day the tingle in our hearts (and pants) gets more alarming. The 55th BFI London Film Festival has announced its full programme, and there are SPOILS TO BE ENJOYED! Sit back, take in our highlights and cancel your ASDA delivery – it’s time to start saving…

The ever-increasing presence of performance capture techniques has led to a bit of a division in the film industry: is it to be admired or discouraged? Film purists say nay. Andy Serkis fans say yay. But what do you say?