We’ve been getting little hints, pictures and whispers about the new Toy Story characters for months now, and we’re excited to report that today Dis/Pix have finally released the final poster with them all on it. And it looks pretty bloody epic. In a toy way. So the best way. Can you spot your favourite?

It’s always nice to stay ahead of the curve, if only so you can feel unneccessarily smug in front of friends and loved ones. With this in mind Best For Film brings you what you need to know about next week’s film releases. Have a read, plan your week accordingly, and practice that lovely self-satisfied smile we all love you for…

Crimety, people are getting banned from the cinematic event of the year left, right and centre. First a Hurt Locker producer is dis-invited for vote-mongering, and now it seems like Sacha Baron Cohen has been given his marching orders too. At least they have each other.

It’s the cinematic event we’re all waiting for. Alice In Wonderland can go suck its own rabbit-hole, it’s all about The Smurfs. Sort of. Well, either way, the CGI Smurf..

Things are just getting worse and worse for the team behind The Hurt Locker. The Oscar front-runner is being bashed from all sides, with a war veteran today announcing that he plans to sue the team for using his life-story in their film. This comes just one day after one of their producers was banned from the Oscar ceremony for trying to sway Academy votes. Oh dear oh dear.

Anchored by a warm and engaging lead performance from Robert De Niro as a lonely widower who hopes to reconnect his fractured family, Everybody’s Fine hits every emotional note we expect as it proves that the people we hold most dear are often the ones we lie to the most.

Naughty naughty. Nicolas Chartier, one of the producers on this year’s Oscar front runner The Hurt Locker, has been banned from coming to the Oscars after urging the Academy panel not to vote for Avatar.

It’s always a bit of a struggle to have an unbiased opinion of a film based on a heartbreaking true story. We wanted to feel inspired by Extrordinary Measures, but try as we might, there’s just no getting around the fact that this is schmaltzy, made-for-tv rubbish, with two pretty dull performances from leads Harrison Ford and Brendan Fraser. Sorry. Now down to hell we go.

Ah Paris. City of love. Known throughout the world for romantic overtures, fine cuisine, star-lit walks and, of course, kick-ass car chases. Director Pierre Morel returns to the scene of previous cinematic crimes for this explosive tour of the capital in the company of two mismatched American agents on a quest to dismantle a terrorist cell. Unfortunately, the terrible script and dodgy casting means that the only love we brought back from Paris was the relief in seeing the ending credits.

Alright, alright, we get it, Burton‘s Alice In Wonderland is so frikking exciting that we’re basically all just sat weeing ourselves around the clock in preparation. As we speak, cinema..