It was about time Sherlock Holmes got the Hollywood treatment – audiences have been continually fascinated with Arthur Conan Doyle’s series of short detective stories through the years, yet they undoubtedly needed a little sexing up to succeed with a modern audience. Enter Guy Ritchie, whose new action-packed adaptation is certainly a departure from the original series, but nonetheless entertaining in its own right. The screenplay has enough intelligence not to completely insult fans of Conan Doyle’s stories, and it’s perfectly complemented by Downey Jr’s sarcastic, slightly camp take on Sherlock. This adaptation won’t set the world on fire, but it’s a fine two hours entertainment for a dreary winter’s night.
If ‘kidult’ films are the latest trend in Hollywood, Where the Wild Things Are would be at a Kate Moss level of cool, as the hype surrounding it demonstrates. But this is one movie that lives up to its press – the sumptuous visuals, amazing costumes and edgy soundtrack create an amazing and unique cinematic experience. There’s not as much in it for the kids as some parents might like, but the lack of family-friendly formulaic storytelling is also what makes it great.
As self-confessed avoiders of The Mighty Boosh, we weren’t sure how much we were going to enjoy the big-screen debut of the series’ director, Paul King. Luckily, this zany, surreal comedy proved to be touching and entertaining for even the simplest of minds. Despite the slightly jarring tragic moments at the end of the film and the few plot lulls in the middle, Bunny and the Bull is a lovely way to spend a rainy afternoon.
Call us crazy, but we thought Christmas was the time for good cheer? There’s not much to be cheerful about in this dark adaptation of the Dickens classic. With pacey action and good performances there is still something to enjoy, but if we’re honest, at Christmas we just want to leave the cinema with sleighbells in our ears and a smile on our faces.
The title of this movie says it all, really. Another in a seemingly never-ending line of horrendous teen slasher flicks, it’s based around the typically stupid premise of a high-school hottie who is inexplicably transformed into a blood-lusting demon. There’s only one reason I can think of that any of the movie going public would subject themselves to it – to have a good old perv at Megan Fox, aka said hottie-cum-demon, Jennifer Check.
The comedy phenomenon of Peep Show first hit our screens back in 2003, and it’s difficult to remember what filled our lives with such joy before it came along. Six series in and still as strong as ever, Peep Show truly is a programme that makes you proud to be British. Awkwardly, embarrassingly and pathetically British, but British all the same.
Terry Gilliam’s nonsensical fantasy is a stunning sight to behold, but the spectre of Heath Ledger’s death during filming, and his below-par performance, is a hard thing to escape.
Love is a warzone and the front-line is at one of the most beautiful locations on the planet. Peter Billingsley’s mind numbingly boring “comedy”, starring Vince Vaughn, Jon Favreau and..
This film adaptation of Steve Lopez’s real-life friendship with schizophrenic musician Nathaniel Ayers has two of the year’s best performances from stand-out actors. But a cheesy screenplay and cliched directorial treatment make it a little forgettable.
Snipe London
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