Have you ever thought to yourself ‘This is a nice film about the President Of The United States, but why isn’t he wearing trainers, kicking a Bad Man in the face and screaming “KEEP YO HANDS OFF MY JORDANS” as lots of paintings burn around him?’ White House Down. It’s what would happen if we…

EXPLOSIONS

Foxx swaps Dirty South for White House.

A historical comedy telling of how the vibrator was originally invented for a perceived medical purpose, Hysteria’s story may find its roots in an era less advanced than our own, but with “haven’t we come far” serving essentially as both the film’s plot and its only joke, any sense of modern sophistication soon gets old fast. After all, if the prospect of an overweight Italian lady bursting into operatic song whilst climaxing on a doctor’s table can be billed as the peak of 21st Century hilarity, it seems society still has a long way to go.

After a long and challenging week it’s finally Friday. The weekend is nigh and it’s the perfect time to indulge in a good old drinking game. But this is not just any old drinking game. No. For this drinking game you’ll need to be as unflappable and calm as James Bond, because if not there’s a chance this could get a little out of hand.

Say what you see, eh?

*half-hearted joke about the subsequent buzz created*

Ten years of film all neatly rolled into one awesomely epic list of greats! Feast your eyes on the Top 30 Films of the Decade.

Released in 2005, the original Nanny McPhee was a strong successor to Mary Poppins in every way. Adapted from the Nurse Matilda books by Christianna Brand, the film pitted seven mischievous tykes against an ugly woman with a snaggle tooth, warts and an oversized nose, who had a few tricks up her sleeve when it came to childcare. Susanna White’s colourful sequel casts an even more bewitching spell, introducing the mysterious nanny to a family in crisis in wartime Britain.

Released in 2005, the original Nanny McPhee was a strong successor to Mary Poppins in every way. Adapted from the Nurse Matilda books by Christianna Brand, the film pitted seven mischievous tykes against an ugly woman with a snaggle tooth, warts and an oversized nose, who had a few tricks up her sleeve when it came to childcare. Susanna White’s colourful sequel casts an even more bewitching spell, introducing the mysterious nanny to a family in crisis in wartime Britain.