Welcome to the circus kiddies – you’re about to witness a whole lot of juggling. Because Kate has a job and (wait for it) A FAMILY (gasp). It’s the overdone dilemma of balancing a hectic work schedule alongside raising kids. How does she do it?! Prepare your poor ears for that exact sentence at least seven times.

Thanks to Pierce Brosnan’s latest film role in the Sarah Jessica Parker movie I Don’t Know How She Does It we’ve been shaken and stirred into thinking that we’ve misjudged him as an action hero all these years. Is everybody ready to play our very own BFF version of Where’s Our Wally…?

Ah, Lady Gaga. God, I love her. It doesn’t matter where I go or whom I write for, she somehow manages to do something mad and become the ultimate hot topic for EVERYBODY. After showcasing her male alter ego, Joe Calderone, at the VMAs, it got us thinking about the topic of gender and we came to the conclusion that people’s response should be something along the lines of “gender, shmender!”. Possibly in a more eloquent fashion. To celebrate this, we’ve decided to look at our 10 favourite cross-dressing movies (basically proving that I’ll take any excuse to ogle Tim Curry in fishnets…)

The Ending of a film is often the most memorable part – and we’ve gathered ten of our favorite final lines of dialogue for your viewing pleasure.

For a film about the re-writing a political memoir, it’s rather ironic that the screenplay for Roman Polanski’s thriller should be one of its weaknesses. Characters are not fully formed in a script co-written by Polanski and Robert Harris, adapting his novel of the same name. Indeed, they are ciphers in a clunky and contrived plot that builds to a big reveal, which would be risible in less accomplished hands.

Sad boy meets sad girl. Said sad boy and sad girl inevitably fall in love. Whilst it would be easy to summarise Remember Me as such, it would be crude to reduce R Patz’ latest venture to such terms. Remember Me is a dark, brooding, and occasionally heart-wrenching affair (yes, really), but unfortunately this new Robert Pattinson film fails to reach its potential.

For a film about the re-writing a political memoir, it’s rather ironic that the screenplay for Roman Polanski’s thriller should be one of its weaknesses. Characters are not fully formed in a script co-written by Polanski and Robert Harris, adapting his novel of the same name. Indeed, they are ciphers in a clunky and contrived plot that builds to a big reveal, which would be risible in less accomplished hands.

James Bond, agent of Her Majesty’s Secret Service, is a hero and inspirational figure, right? WRONG! If he was real, James Bond would be the worst human being who ever lived; Adolf Hitler had more moral fibre than this womanising drunk. With James Bond Ian Fleming created a monster, not a role model, and here’s why.

Sad boy meets sad girl. Said sad boy and sad girl inevitably fall in love. Whilst it would be easy to summarise Remember Me as such, it would be crude..

Stop us if you’ve heard this one before. A young boy discovers that he is the offspring of powerful parents (they always are) and a greater destiny awaits him (it always does). So he travels to be trained in the ways of the hero and then confronts much stronger and deadlier foes than any young boy should and emerges victorious (in no small part two his two companions a clever yet vulnerable girl and a cowardly yet loyal boy. No we’re not talking about Harry Potter and the One With the Spells, we are talking about Percy Jackson & the Lightning Thief