Terence Stamp is back, guys. And this time, the highly-revered actor (“I don’t like to do crap [films] unless I haven’t got the rent”) sports a contemptuous scowl and a hard-hearted exterior, playing a grumpy old pensioner learning to cope with his wife’s terminal illness. Song For Marion sees Stamp as you’ve never seen him before; regularly putting on the kettle and for the first time, acknowledging his 70+ age in this heart-warming tale about discovering that it’s never too late to discover who you truly are.

Steve Carrel makes his first crazy, stupid leap into serious drama as a schizophrenic in Foxcatcher

Williams signs up for Eugene Allen biopic The Butler

Roland Emmerich is putting aside the disaster flicks for a moment and indulging in a bit of Shakespearean conspiracy theory. It’s silly, lavish and fairly good fun. But can we please all just agree that Shakespeare wrote his plays? Please? OK, cool.

GO ON GARY

Ralph Fiennes’ directorial debut takes on one of the darkest and most violent of Shakespeare’s tragedies with gorily glorious results. Combining a talented and varied central cast with an intelligently updated script which transports the play to the war-torn present day, Coriolanus is Shakespeare for the Call of Duty generation.

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