Vincenzo Natali’s Splice, much like the genetically manipulated subject of the film, is a hybrid. Living up to its title, the film splices modern fears about genetics with the traditional monster movie, mixing in elements of a psychological drama and dark comedy for good measure. It is a Frankenstein’s monster of a movie that sometimes lumbers around awkwardly under the strain of all its parts, but ultimately remains a fascinating, original and horrifying beast.
It has been confirmed that 007 will play journalist Mikael Blomkvist in David Fincher’s American adaptation of The Girl with the Dragon Tattoo.
Mark Ruffalo has confirmed that he will play The Hulk in the upcoming Avengers movie.
Disney is to childhood what e-numbers are to turkey twizzlers. I for one can’t imagine what my formative years would have been like without Uncle Walt’s cartoon critters filling my mind with home-spun, all-American values. Safe to say I probably would have used my own imagination more, but what child wants that when you can just watch Aladdin? Not my 7 year old self – before you could say ‘made in Taiwan’, I had enough Disney related lunchboxes, books and toys to deserve a sponsorship deal.
Fans that have been salivating in anticipation over what Watchmen director Zack Snyder will do next should be prepared to salivate further, as 6 sexy character posters for Snyder’s up and coming Sucker Punch have been released.
After months of speculation as to who will pay iconic bisexual hacker Lisbeth Salander in David Fincher’s Americanized adaptation of Stieg Larsson’s Swedish novel The Girl with the Dragon Tattoo has been revealed.
FLASH! A-ah! Saviour of the universe! Right, now that is out of our collective systems, we can report that director Breck Eisner has confirmed he is developing a new Flash..
Further to earlier leaked images that caused a mixed reaction from Thor fans, a new image has been released that is sure to have the fans breathing a sigh of relief.
Before watching I Hate Luv Storys I was a Bollywood virgin. I was aware of some of its conventions – its vibrancy, its musicality, the way it revels in artifice – but beyond that I was painfully naïve. So, armed with my postage-stamp sized amount of knowledge of Hindi cinema, I set about popping my Bollywood cherry. Sadly, like so many hungover 16 year olds, I find myself instantly regretting this awkward first encounter. Bloated, dull and repetitive, I Hate Luv Storys has nothing to offer beyond reheated romantic clichés from Hollywood and Bollywood alike.
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