A young woman faces a terrifying ordeal in J Blakeson’s accomplished feature directorial debut. The Disappearance Of Alice Creed is an edge of seat thriller that by its simple design – three characters trapped predominantly in one location – could easily have started life on the stage. The intimacy of the set-up works in the film’s favour, forcing Blakeson to develop his protagonists to sustain our interest and the dramatic momentum.
Chitty Chitty Bang Bang is a magical car with more sass than KITT and more aplomb than Herbie – it’s the best magical car by far. This heartwarmingly anarchic musical is now available to buy as a Blu-Ray DVD combo set – ideal to bring colour and vitality to a wet Sunday afternoon.
Another short-cartoon series from the people at Adult Swim, Metalocalypse is just as odd as you might expect. Playing like This Is Spinal Tap crossed with the most violent comic book you’ve ever read, it is simultaneously a celebration and send-up of heavy metal culture. Utilising an approach that is both daft and darker than coal, the series showcases not just the idiocy of its protagonists – petulant death metal band, Dethklok – but also the widest array of horrific concepts you’re ever likely to see. What’s worse; a man who eats live babies, or an irresponsible metal band running amok? Watching this DVD may be the only way to find out.
As Movember approaches, gentlemen everywhere will be seeking to adorn their upper lip with a moustache to rival all others. Essex boy and naysayer David Hill was resolutely clean-shaven… Until he decided, pretty much on a whim, to enter the 2007 World Moustache And Beard Championship. Follow his amazing journey into a world where the moustache does indeed make the man.
Echoing the real-life horrors of Guantanamo Bay, The Good Soldier follows the progression of Sean Roberts as he’s promoted from soldier to interrogator in a hypothetical British civil war. Will he make the ultimate sacrifice in order to become the stone-cold interrogator the military wants him to be?
At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we take a look at what happens when there’s a mix up in heaven in A Matter of Life and Death.
With its cast including Paul Walker, Hayden Christensen and Chris “Rihanna’s ex” Brown, Takers was never overly likely to make audiences think too hard. Given its title because its anti-heroes like to take things (told you it wasn’t a thinker), the plot follows a gang of bank robbers as they plan a $30 million heist, unaware that a hard-boiled detective is closing in on them, determined to crack the case. What results is a dodgy pastiche of crime films everywhere – fun in places, but ultimately brainless.
At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week things have been getting distinctly non-triumphant for the rock gods of 1991 San Dimas – Bill S Preston Esq. and Ted ‘Theodore’ Logan.
The latest offering from Paul Andrew Williams (known for 2006’s London to Brighton), it would be difficult to describe Cherry Tree Lane as the sort of film anybody would watch for enjoyment. The story of a London couple held hostage in their own home by some seriously disgruntled youths, it is uncomfortable viewing from start to finish; rarely has there been a film that could make you feel more horrified at what is happening onscreen. You won’t want to watch and yet, curiously, this is precisely why you must.
Thierry Guetta is obsessed with filming things. Whether it be the morning routine or a trip to the shops, the L.A. based Frenchman won’t let his camera miss it. But when his cousin, a French street artist known only as Space Invader, introduces Thierry to the temporary nature of his craft, suddenly his recordings take on new purpose. With street art fast becoming his obsession, Thierry sets his sights on the daddy of them all; Britain’s master prankster, Banksy. Little did Thierry know that it would be the elusive artist who ended up turning the camera on him…
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