Based on the novel of the same name, The Time Traveler’s Wife explores a sometime traditional love story in a very untraditional way. It centes on the lives of two people ‘fated’ to be together, but one is plagued by a (very) rare disease; that he randomly jumps through time, so that their relationship is fundamentally fragmented, heartbreaking and frankly, very, very confusing.

On February 11, 1990 when Nelson Mandela walked free from Robben Island after more than a quarter of a century of incarceration in his eight feet by eight feet cell, he discovered a country divided by apartheid. How could he bring people together? By uniting team and supporters on the rugby pitch. Director Clint Eastwood has done it again with Invictus, a wonderfully uplifting film that follows the true story of Nelson Mandela’s quest to reuinte his fractured country through the peaceful bonds of of giant men bashing into each other.

Space travel has always been an inexhaustable topic for film-makers, but upon watching Pandorum, you can’t help but feel like you’ve seen everything it has to offer before. And you’ve seen it done better. Though it’s made by the same guys who brought us Resident Evil, this film lacks any real originality and it’s consistantly dark and moody shots are more likely to leave you with eye-damage than anything else.

n terms of hype, Precious is the only film in months that has managed to come close to the endless Avatar onslaught. This is in part due to the number of people that were genuinely affected by the film’s story – that of a 16-year-old girl lived in Halem, horribly abused and hopeless scrabbling through life with only dead ends in front of her. And it is in part (perhaps the more significant part) due to the massive impact that Oprah Winfrey’s opinion has on the American public.

Watching Gamer is a bit like trying to play Grant Theft Auto when drunk; you know very vaguely that there’s a story you should care about, but all that really matters is that things are getting blown up, big style. If there was a coherent point to Gamer, we couldn’t find it.

Oliver Parker’s adaptation of the classic Oscar Wilde novel has everything you’d want from a gothic bodice ripper; sex, gore, and darkly chiselled cheekbones. Young Dorian Grey wishes to stay young forever, and so binds himself in a deal with the devil to always retain his beautiful good looks. But what is the cost? This dark and smoky tale is a great warning against vanity everywhere However, amongst all the Burton-esque moody shots of Victorian England, the biting essence of Wilde’s classic story gets slightly lost.

Set in the 1950s, Revolutionary Road centres on the relationship between Alice (Kate Winslet) and Frank Wheeler (Leo DiCaprio); a married couple in their late twenties. Seen as the shining example of wedded bliss by their friends and neighbours living on Revolutionary Road, they have two children, a secure future and a beautiful home. But beneth their flawless exterior both Alice and Frank feel as though their lives are being wasted. Revolutionary Road is a poignant, heartbreaking and piercing look into what makes up a relationship, and how it is that deep love can turn to hatred.

Stunningly good, A Prophet, the latest film from The Beat That My Heart Skipped director Jacques Auidiard grabs you from the start, pulls a burlap sack over your head and doesn’t let up with its intensity and drive for any one of its 155 minutes. A gruelling masterclass in taut, engaging and wholly believable cinema, A Prophet is one release that’s going to be essential not only for fans of crime drama, but also those who like to take their cinema seriously.

“Boy meets girl. Boy falls in love. Girl doesn’t.” Marc Webb’s 500 Days of Summer is refreshing because as its tag-line suggests, it tells the truth about love. Sometimes things just don’t work out. Simple. And that’s fine.

Turns out the hope we held out for Brothers wasn’t unwarranted. This tragic portrait of the effects of war on young lives brims with real emotion and powerhouse performances from its lead actors, particularly Tobey Maguire and Natalie Portman. For the most part, despite the potential for cheese in its subject matter (man goes off to war, brother steps in to fill his shoes on the home front, man turns out not to be dead and returns to awkward situation in family), the narrative avoids cliche and leaves you with a real, confronting sense of heartbreak. It’s a harrowing film experience that hits you right in the guts, and it could well be the resurrection of Maguire’s post-Peter Parker career.