When it comes to that greatest of British cultural exports, the punk rock movement, figures don’t come much bigger than Ian Dury, so when we at Best For Film learned of the release of a Dury biopic starring the fantastic Andy Serkis, we were psyched. Serkis is spellbinding in his complete embodiment of the eccentric, mercurial rock star, but it’s almost too good a performance for his support cast to hold their own against. Mat Whitecross’s patchy and confusing narrative also leds proceedings down sufficiently.

So Yong Kim’s haunting drama Treeless Mountain, tells the story of two young sisters living with their single mother in South Korea. Six-year-old Jin and her sister four-year-old Bin, are sent to live with their evil aunt who has no maternal instincts before they go to visit their grandmother who lives on a remote farm far from the hustle and bustle of the city.

We need to be honest with you… we’re nerds – pocket protector owning, corduroy wearing, Windows 3.1 loving nerds and have been long before it became quasi-cool (thanks Pharrell). While our playground peers were debating The Ultimate Warrior and Hulk Hogan, we were having deep discussions about phasers, warp drives and why Captain Kirk would make the best dad ever. This makes us the worst type of nerd – a Star Trek nerd. And while we’ve never gone to a convention, it didn’t stop us pestering our mother’s in to making us a Federation captain’s uniform out of a knitted yellow jumper, some kitchen foil and a carefully cut egg carton. Hence you can only imagine our trepidation at the prospect of the Mr. Mission Impossible 3 J.J. Abram’s, reboot – but we and our fellow geeks needn’t have worried.

It’s sad when your realise something you used to find endless entertainment in as a child is no longer appealing to you. Much like discovering we would rather play drinking games than jump rope, it seems the time has come where we may have outgrown the Chipmunks. Either that or this modern-day retelling of the rodents’ rise to fame in the music industry was, well, crap.

It’s always a bit awkward when Adam Sandler tries a serious role, so when viewing this comedy-drama in which he plays a successful comedian coming to terms with a cancer diagnosis, we approached with caution. Sandler actually proves his chops as an emerging dramatic actor well, and Seth Rogen is equally capable in support as the struggling amateur comic who Sandler decides to mentor. Naturally, the pairing of these two giants of the genre along with the equally impressive Judd Apatow as writer/director delivers a load of laughs, but a lack of balance in the script as a whole means it’s not as good as it could be.

Yes Man is basically Peyton Reed’s (Down With Love) version of Liar Liar and, of course, it stars none other Jim Carrey as the leading man. Carl Allen (Carrey) a miserable banker notorious for saying “no” to everyone and everything. In a plight to change his life, he signs up to a self-help programme which enforces one rule – he must say ‘yes’ to everything. EVERYTHING.

The Hurt Locker, Kathryn Bigelow’s thrilling and hard-hitting war drama, is a master class in sustained tension as a three-strong bomb disposal squad attached to the US Army risks life and severed limb to defuse roadside IEDs. Starring Ralph Fiennes and Anthony Mackie, it’s one of the sharpest and most intelligent films concerning the War in Iraq, but it’s in no way easy viewing.

Richard Curtis’ (Love Actually) The Boat That Rocked is set in 1966, a time where people could only listen to one hour a week of rock’n’roll on radio. Bill Nighy stars as Quentin, boss of Rock Radio – the pirate radio station which millions of music fans illegally tuned into for their fix of rock’n’roll.

The fourth in the increasingly desperate-sounding Final Destination series sees another premonition-prone twentysomething (Bobby Campo) foreseeing the death of himself and a few of his similarly hot-to-trot mates. This time, the trouble starts at a race car track, with Campo’s Nick persuading his sceptical chums to exit just before a multi-car pile up blitzes the just-vacated seats.

Produced by Sir Peter Jackson of Mordor and directed by talented newcomer Neill Blomkamp, District 9 is a smart, slick sci-fi thriller that tries to hit all the buttons and almost – almost – succeeds. The film concerns the attempts of corrupt corporation MNU’s attempts to evict the stranded aliens – derogatively referred to as “prawns” – from a slum in the centre of town to a concentration camp far away from the dismissive human populace.