When it comes to inappropriate but tear-inducing laughs, Family Guy is about as reliable as they come, and even more so the DVD specials. Particularly if you combine the hilarity of the show with a cultural icon we’re all too familiar with: Star Wars. This release follows on from Seth McFarlane’s first Star Wars tribute episode, Family Guy: Blue Harvest, and the jokes are just as reliable, the accuracies to the original film just as nerdishly faithful. Whether you’re a devoted George Lucas fan or just looking for an hour’s easy laughs on a Sunday afternoon, you could do a lot worse than the typically sick wit of the Griffins.
Directed by conceptual artist Sam Taylor-Wood, whose previous interest in celebrity included a video portrait of David Beckham sleeping, Nowhere Boy is a biopic of John Lennon’s early life. Focusing on his pre-Beatles stardom, the film charts the complex relationship between the legendary man himself (played by Aaron Johnson), his staid and respectable Aunt Mimi (Kristen Scott-Thomas) and his free-spirited mother Julia (Anne-Marie Duff).
Rob Marshall’s Nine is set in an ultra chic 1960s Rome. Daniel Day Lewis stars as Guido Contini, a troubled Italian film-maker who after a string of cinematic flops, has ten days to go before shooting his long awaited movie Italia. What’s troubling him? Women of course. Women in the form of Penelope Cruz, Nicole Kidman and Marion Cotillard to name but a few…
Having won four British Comedy Awards, two Baftas and a South Bank Show award, James Corden’s comedy drama Gavin and Stacey is one of the BBC’s most well-received comedies of..
You can always judge a film (well, nominally, at any rate) by the quality of its source material. Cherishing our cynicism as we do at BestForFilm, a film based on a line of chunky, over-muscled action figures doesn’t exactly have us pre-booking our tickets. As it turns out, our cynicism is – once again – justified.
The latest in a steady stream of ‘bromance’ comedies that have been infiltrating the cinema since Anchorman and Knocked Up were surprise hits, you know what you’re in for when you go to rent this film from your local Blockbuster. That said, this film was a box office triumph when it hit cinemas as word spread it was a cut above most frat-boy comedies. But after all the hype, upon finally viewing this film we were underwhelmed.
There’s generally only one type of Christmas film, or at the very least, a very identifiable type of film that always seems to get a festive release, year after year…
Say what you like about the state of British film at the moment, there’s one thing that us plucky Brits do that makes the envy of the world, and that’s our TV comedy. From Monty Python to The Office, our self-deprecating humour has been shipped out, remade, lauded and appropriated everywhere from the Americas to the Antipodes. And one of the standout comedies of the last few years, courtesy of those marvellous chaps at E4, was Damon Beesley and Iain Morris’s sixth form anguish-a-thon The Inbetweeners.
There was once a time when Sandra Bullock reigned supreme over the romantic comedy, but that time, as this film demonstrates, is well and truly over. This new ridiculous outing sees Bullock’s pushy book editor force her put-upon assistant to marry her to avoid deportation, and naturally (yet inexplicably) romance ensues. Even if you can put aside the formulaic stupidity, the chemistry between Reynolds and Bullock is about as poor as it gets. One to avoid unless you’re desperate.
So it’s two years since the evil Megatron’s death, and Optimus Prime, the other Autobots and the significantly less exciting humans have been going about their business as usual. What could disturb this harmonious bliss? Why, the discovery of a Transformer so bloomin’ evil he makes Megatron look like a Bosch iron. The Fallen – the lost brother of the Transformers – is preparing for battle on Earth And believe us, his battle is extremely explodey.
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