With a title that sounds like an emo band and a guy with a sword that is supposedly just nifty, Fading of The Cries sounds way too good to be true, huh?

Christmas was months ago but with the arrival of Nik Fackler’s film Lovely, Still, the holiday feel is still present. Bring your Kleenex, the film’s like The Notebook but for the older person.

Another disturbing classic from some of the best known names in Korean cinema. I Saw the Devil starts screaming and finishes kicking. Kim Jee-woon has included everything from secret agents to cannibals and with terrifically bloody fight scenes, torture that would make the inmates of Guantanamo Bay writhe in fear and amazing performances all round this is not one to be missed.

Barry Munday is a feel-good rom-com premised on genital mutilation. Potentially offensive on two entirely different levels then, it’s no surprise that this is probably one to miss.

James Wan returns to fill up your fear tank with Insidious; a film that is equal parts night-terror and sense-defying cheese-dream. I can guarantee you’ll have so many simultaneous reactions to this movie, your face won’t know what to do.

If you’ve seen one monster shark movie, you’ve seen them all. Unless you’ve seen them all except Dinoshark. In which case, you haven’t seen Dinoshark.

It’s safe to say Edward Cullen wouldn’t last five baleful minutes in the vampire-dystopia that is Stake Land. A stylish road-horror with political bite as well as, like, loads of actual bites, you can forgive it its foibles for its refreshingly un-perfumed approach to those pesky bloodsucking types.

It’s time to don the corpse paint and bullet belts, because Adult Swim’s Metalocalypse is back to wreak Deth and commercialised destruction upon the masses – and Season 3 promises to be just as totally freakin’ brutal as the first two instalments.

Director Wes Craven and writer Kevin Williamson bring together a cast of new and returning faces for one more stab at the post-modern Scream franchise. With an abundance of recent horror history ripe for the picking, they succeed beautifully in rebooting the formula while staying true to the mission statement that started it all.

Is anyone else getting really sick of these actually quite good US comedies that have hit the big screen recently? Does anyone think it’s about time someone put Seth Rogan and Judd Apatow in their place(s)? Well you’ll be glad to hear that writer/director duo Brad Kaaya and Craig Moss are here and they’re going to stick it to those Superbad jerks with their funny comedy in the only way they know how: toothless parody and dick jokes.