Anthony Hopkins and some chap you’ve never heard of star in a film which is stuck halfway between psychological thriller and demon-haunted horror. Solid performances and a refreshing rejection of SFX go some way towards redeeming this confused, lumpen effort, but it’s still a long way from being welcomed into the divine presence.
Producer: “Ok, guys, I’ve had the greatest idea for our new film. So I was watching Fight Club, right, and then I saw Big Fat Gypsy Weddings with the missus, and then I saw Mega Shark versus Giant Octopus. And what did I come up with? Only City boys versus gypos in a countryside war. GET IN.”
Heavy Metal, muscles, blood, and Vinnie Jones. Oh, and tits. Lots of tits. All in slow motion.
A heavy handed portrayal of a brutal true story. Whilst it struggles to lend any real depth to some of its central characters, this offering from writer/director Cyrus Nowrasteh is a powerful depiction that sticks in the mind. Prepare for conspiracy, betrayal, guilt and one of the most horrific on-screen deaths imaginable.
Sinbad and the Minotaur is an Australian film about a mythical Arab wading into Greek legend, and it treats both cultures about as respectfully as you’d expect from a country which used to forcibly rehome Aboriginal children. Under no circumstances whatsoever should you watch it.
It does exactly what it says on the box. Aliens. And Ninjas. Oh, and they don’t get on. What did you expect?
Take a stroll through London with Tom and Eve, two star-crossed young hipsters trying to make sense of their messed up lives, finding solace and comfort in each other’s conversation. Or rather, don’t. In fact, do anything else rather than watch this deeply underwhelming love story.
Thriller Sanctum 3D, produced by James Cameron will ensure that cave diving is swiftly crossed off your bucket list, in its tales of subterranean horror.
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