The latest offering from Paul Andrew Williams (known for 2006’s London to Brighton), it would be difficult to describe Cherry Tree Lane as the sort of film anybody would watch for enjoyment. The story of a London couple held hostage in their own home by some seriously disgruntled youths, it is uncomfortable viewing from start to finish; rarely has there been a film that could make you feel more horrified at what is happening onscreen. You won’t want to watch and yet, curiously, this is precisely why you must.

Thierry Guetta is obsessed with filming things. Whether it be the morning routine or a trip to the shops, the L.A. based Frenchman won’t let his camera miss it. But when his cousin, a French street artist known only as Space Invader, introduces Thierry to the temporary nature of his craft, suddenly his recordings take on new purpose. With street art fast becoming his obsession, Thierry sets his sights on the daddy of them all; Britain’s master prankster, Banksy. Little did Thierry know that it would be the elusive artist who ended up turning the camera on him…

At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re taking a trip down Suicide Lane with Goran Dukic’s unconventional rom-com Wristcutters: A Love Story.

What happens if you’re a minor league hockey player who’s had his dreams dashed one too many times? Julie Andrews will turn you into a tooth fairy, that’s what. For two weeks, Dwayne “Tooth Fairy” (sorry, “The Rock”) Johnson has to turn good guy and teach positivity sprinkled with fairy dust to a troubled family. This lightweight comedy is strictly for the kids, but you know what? Don’t be a hater, yo. The kids are alright.

What do you do when you fall off the horse? Why, you jump back on, of course! Or rather, on every attractive female twenty-five years younger. But aside from the sleaze, Solitary Man pushes (albeit, a few ) buttons, mainly as we question whether Ben Kalmen (Michael Douglas) is a troubled human being going through a tough time or a creep with no morals, no manners and the mind of a confused adolescent.

At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re struggling to get to the bottom of Marc Forster’s psychological drama Stay.

Three skiers are trapped in an abandoned chairlift. Their survival depends on life-or-death decisions. Should they try to escape or stay put and take their chances? Unless they want to end up frozen, there’s only one way to find out.

At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re looking at the Japanese classic; Afterlife.

We’re happy to see that Chris Morris’s fantastic Four Lions has reached its well deserved place in the DVD top ten. Simultaneously hilarious, heartbreaking and terrifyingly intelligent, this attack on stupidity itself is vital viewing for every one of us.

Horror film stroke revenge drama Red White and Blue is a dark jewel; a cinematic feast of suspense and sleaze with an ending that, though shot off camera, leaves you speechless. Hell isn’t just you and your weird little brain. Hell is other people…