At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re taking a trip down Suicide Lane with Goran Dukic’s unconventional rom-com Wristcutters: A Love Story.
Despicable Me is a kids film that may not have been made by Pixar but it could have been: The story of a supervillain struggling to control an army of minions and three orphaned girls will provide real heart and sardonic wit along with the zany animation slapstick.
A welcome return from director Joe Dante, The Hole is another fine contribution to the ‘family horror’ genre that helped make his name. Providing both laughs and scares, it credits its child viewers with an ability that too many kids films lack; the intelligence to be treated like adults. Bringing the darkness, but keeping things light, it will entertain both youngsters and grown-ups alike. And it all comes with the added benefit of 3D. So, go on – have a little fun and face your biggest fears.
What happens if you’re a minor league hockey player who’s had his dreams dashed one too many times? Julie Andrews will turn you into a tooth fairy, that’s what. For two weeks, Dwayne “Tooth Fairy” (sorry, “The Rock”) Johnson has to turn good guy and teach positivity sprinkled with fairy dust to a troubled family. This lightweight comedy is strictly for the kids, but you know what? Don’t be a hater, yo. The kids are alright.
What do you do when you fall off the horse? Why, you jump back on, of course! Or rather, on every attractive female twenty-five years younger. But aside from the sleaze, Solitary Man pushes (albeit, a few ) buttons, mainly as we question whether Ben Kalmen (Michael Douglas) is a troubled human being going through a tough time or a creep with no morals, no manners and the mind of a confused adolescent.
At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re struggling to get to the bottom of Marc Forster’s psychological drama Stay.
At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re looking at the Japanese classic; Afterlife.
We’re happy to see that Chris Morris’s fantastic Four Lions has reached its well deserved place in the DVD top ten. Simultaneously hilarious, heartbreaking and terrifyingly intelligent, this attack on stupidity itself is vital viewing for every one of us.
At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week it’s the turn of Adrian Lyne’s harrowing supernatural classic Jacob’s Ladder. Hold onto your sanity…
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