We all love Star Wars, except for those of us who don’t love Star Wars. One thing all Star Wars fans can agree on is that Lucasfilm made a complete hash of the Special Editions in 1997, which felt like George Lucas experimenting (badly) with CGI in preparation for the Star Wars prequels. And we all know how they turned out.
Graham Chapman has been mostly dead for 23 years now, but hasn’t stopped his voice reaching out through the veil of time to narrate his own (mostly fictional) biography. Recent recordings of Graham Chapman reading his own book have been remastered to fit this 3D collection of animations as an homage to the great deceased Python. Featuring the talents of the Monty Python team, along with a few surprise guests, A Liar’s Autobiography is a wonderful tribute, even if it lags in places. There is a lot of love for Graham Chapman in this film, and hopefully you will feel it too.
Kicking off their winter season this week, Hot Tub Cinema is back with a vengeance. Keeping Londoners warm and wet whilst screening classics old and new for our fleshy pleasure, Hot Tub Cinema stands alongside old favourites like Nomad and Secret Cinema as one of the capital’s foremost innovations of unusual nights at the pictures. What could be more enjoyable than spending the evening with your bits submerged in the close proximity of strangers? NOTHING. But is the idea simply too good to be true?
Assuming the Mayans don’t bring their A-game and take out the entire world by New Year’s Eve (not likely; one thing we know about Mayans is they’re hella lazy), it will soon be 2013. And you know what that means – LOADS of shiny new 2013 films! We’ve trawled the Internet to find the Hollywood big-hitters most likely to get us going in what future generations will probably remember as 4346 in the Korean calendar. Depending on, you know, factors.
Best For Film’s Favourite Flicks returns, and this week it’s safely in the hands of bona fide writer – seriously, she did a radio play and everything – Florence Vincent. What are you going to go for, Flo? Which bastion of classic cinema reigns supreme within your heart? Citizen Kane? Vertigo? What’s that – something more recent? How about Taxi Driver? Sátántangó? Requiem for a Dream? Oh, it’s a not-quite-nineties teen film with the Thong Song guy in it. Obviously.
Starring the grey fox Hugh Laurie, The Oranges is an above-average comedy about two suburban families who have their lives utterly bamboozled by an ill-advised romance. It may seem like just another quirky Juno clone on paper, but there’s definitely more to The Oranges than meets the eye. A number of gripes aside, this is a warm and decent comedy that you won’t regret watching.
It may only be the second iteration of the Irish Film Festival London, but despite its brief history the festival is already turning heads. Featuring some rather interesting pieces, this festival showcases some of the most well-received Irish films from the last year. Irish film-making is very much alive and present. The festival commences this Wednesday, 21st November 2012. Here are some of the highlights
Set in 1968, The Sapphires tells the story of four aboriginal girls who are plucked from the outback and perform a whirlwind tour for troops across Vietnam. Chris O’Dowd anchors much of the fun, but things get a little slippery when the film’s feel-good factor is forced to come to terms with the social, racial and political climate of the time.
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