Boxing drama The Fighter stomps all over Million Dollar Baby in its epic portrayal of Micky Ward and his rise from Massachusetts nobody to WBU champion.

Actress exposes her derriere during a dance sequence for the new Muppets movie.

You know Ireland? That place where everyone dresses in green, the only drink available is Guiness, everyone is very sure (to be sure, to be sure), and where if you look a flame-headed man in the eye, you’re libel fer a beatin? No, us neither. As that place exists only in the minds of cigar-toting, fleshy eyed Hollywood executives. And now, also in Leap Year. Hoi ti toy ti toy.

Based on two memoirs set more than 50 years apart it’s a story about self-discovery, relationships, the art of French cuisine and how to boil the perfect egg. We cut between the 1950’s and 2002 where Meryl Strepe and Amy Adams show us the way around a kitchen and how food can make or break a relationship.

You know Ireland? That place where everyone dresses in green, the only drink available is Guiness, everyone is very sure (to be sure, to be sure), and where if you look a flame-headed man in the eye, you’re libel fer a beatin? No, us neither. As that place exists only in the minds of cigar-toting, fleshy eyed Hollywood executives. And now, also in Leap Year. Hoi ti toy ti toy.

It’s always nice to stay ahead of the curve, if only so you can feel unneccessarily smug in front of friends and loved ones. With this in mind Best For Film brings you what you need to know about next week’s film releases. Have a read, plan your week accordingly, and practice that lovely self-satisfied smile we all love you for…

For all of those who loved Disney’s live action Noo York take on a full scale fairytale (and we’re not ashamed to admit that we’re among that number), hold onto your glittery, magic pants! Enchanted 2 is offiically set to go, though there have been a few changes to the production line-up.

Catholic schools. Priests. Sexual abuse allegations. Does this equal a film we’d want to see? Probably not. At best, it would be dull, at worst quite disturbing. Nevertheless, given the Oscar hype surrounding this adaptation of John Patrick Shanley’s play last year, we decided it couldn’t be that bad. In fact, this 1960’s-set drama centring around a nun’s mission to prove a progressive priest guilty of sexual abuse of a student turned out to be quite a unique and thought-provoking film experience.

Presumably, you only went along to the first Night at the Museum to keep the kids quiet for a couple of hours, but you might have found yourself pleasantly surprised. Not so this sequel, with its muddled plot, tired-looking effects and idiotic slapstick humour. Amy Adams, as a gleeful Amelia Earhart, and Hank Azaria, as an evil pharaoh, provide brief moments of entertainment. But they’re not enough to save this shameless commercial cash-in from languishing in the sequel bad place.