The five nominees have been announced for an award that has a tradition of calling the Best Director Oscar winner.

The world of film is awash with Marmite topics – actors, genres or even cinematic styles which make some movie-goers dampen their plush seats and others tear the stuffing from the punter in front. In our J’accuse series, two of Best For Film’s writers go head-to-head and debate a controversial aspect of cinema. This time round it’s the worst nightmare of every indie Japanese director – the Hollywood remake.

As the first trailer is revealed for Joel and Ethan Coen’s take on the tale that won John Wayne an Oscar in 1969, we should probably make something clear; this probably isn’t the True Grit that your dad loved.

Two parts Team America and one part Battle of Britain, with a healthy dose of Robot Chicken and some Braveheart thrown in for good measure, Jackboots on Whitehall sounds like a thoroughly unsavoury mix – think sage gravy and Minstrels. But don’t be fooled! With the addition of some superb voice talent and snazzy FX, first-time directors the McHenry brothers have created an unorthodox but thrilling cinematic taste sensation. Think chicken hearts and fried banana (trust us on that one).

You know what we enjoy doing? Going to the future. We also enjoy going back to the future, but we gotten into copyright problems with that before. The point is, we’ve risked life and limb to discover what films are hitting our screens in upcoming weeks. Don’t ask us how we’ve done it. All we’ll say is that the Wikipedia Towers of the future are a terrifying and overly bear-guarded place. So, should you save our pennies for an upcoming epic, or splurge like there’s no tomorrow on the flicks out now? We’ve got the answers right here.

Can the infamous lead character of the J.D Salinger novel The Catcher In The Rye; Holden Caulfield, really translate onto the big screen? That’s the debate raging around the Salinger estate, following the recent death of the author.

It’s an irony that can’t have been lost on Steven Soderburgh. Matt Damon – tiny-faced, neckless mannequin that he is – goes from playing sociopathic amnesiac Jason Bourne to the chubby, toupéed middle-manager Mark Whitacre in the space of only a couple of films.

If the film world were to go blind tomorrow, and we had to choose but one team to lead the rest out of darkness, we would happily slip a lead around the necks of Joel and Ethan Coen and follow them wherever they took us. These men are incapable of putting a foot wrong. With A Serious Man the brothers have come up with yet another modern day masterpiece.