Wes Craven: Two words that by their associative powers alone, can conjure inimitable phantasmagoric visions from which you cannot avert your eyes, but in the dead of sleepless night, so desperately wish you had. Whether it’s the snicker-snack of finger-knives or an Edvard Munchian bogeyman that threatens our dreams, it’s high-time that we got ourselves educated on the hand that wields them…
If you love horror films and you have at least twenty-four hours to live, then there is absolutely nothing you should be doing more than reading (and subsequently adhering to) this itinerary. How else are you going to know what to watch at six thirty in the morning when you’ve just watched a zombie baby rip someone’s head open?
Another good excuse to watch the trailer and foster the hope that Hayden Panettiere’s screen-time is bloody and brief.
Dane Cook gets semi-serious and meters out some punishment (and no, it’s not another stand-up routine).
Wes Craven resurrects his knifey horror after its 11 year (yes, you’re that old) absence.
With the fourth installment in Wes Craven’s Scream saga due next year, it seemed that this franchise – like its protagonist, Sidney Prescott – would not be one easily killed off. And now it appears that its life has been prolonged even more, with the director openly admitting that screenwriter, Kevin Williamson, launched this latest film with a second trilogy in mind.
A sleepy rural village, inexplicable teenage deaths and some spooky link to a serial killer long dead – get ready for Wes Craven’s latest horror! What’s that? That’s the exact plot of The Nightmare On Elm Street, also by Wes Craven? Oh stop being such a kill-joy! My Soul To Take breaks new ground for many reasons… erm… it’s in 3D?
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