If you’re already aware of The Killer Inside Me, chances are you’ll almost certainly know of it as “that film where Casey Affleck beats seven shades of blue out of Jessica Alba’s face.” You don’t have to wait long to find out that you have not been lied to. Indeed, if The Killer Inside Me sets out to make audiences feel uncomfortable, then it is an undeniable success. But does the film have anything else noteworthy to offer us?

For a film about the re-writing a political memoir, it’s rather ironic that the screenplay for Roman Polanski’s thriller should be one of its weaknesses. Characters are not fully formed in a script co-written by Polanski and Robert Harris, adapting his novel of the same name. Indeed, they are ciphers in a clunky and contrived plot that builds to a big reveal, which would be risible in less accomplished hands.

Hooray! The return of Hollywood’s most bad-ass mother is nigh, as the trailer for the new Samuel L Jackson movie Unthinkable hits the web. Directed by Gregor Jordan, the movie also features the talents of Michael Sheen (The Damned United) and Carrie-Anne Moss (The Matrix trilogy).

Denzel Washington crashes onto DVD with the remake of the 1974 Taking of Pelham 123, also starring John Travolta in another of his couldn’t-care-less villain roles. What happened, John? You used to be cool, and you ain’t gonna get another gig like Pulp Fiction anytime soon. Sort it out. And lose some weight.

Warning – don’t go and see this film expecting another Twilight. The vamps in Daybreakers belong firmly to the old school of demonesque bad guys who have overrun the earth and must be hunted down with machine guns, exploding crossbows and other such gore-porn paraphernalia. The action is set 10 years in the future, where the human population has been infected with vampirism and blood has become as big a business as Coca-Cola. It’s up to Ethan Hawke’s erstwhile hematologist to save the population from themselves, but mostly he just ends up shooting a lot of stuff.

It was about time Sherlock Holmes got the Hollywood treatment – audiences have been continually fascinated with Arthur Conan Doyle’s series of short detective stories through the years, yet they undoubtedly needed a little sexing up to succeed with a modern audience. Enter Guy Ritchie, whose new action-packed adaptation is certainly a departure from the original series, but nonetheless entertaining in its own right. The screenplay has enough intelligence not to completely insult fans of Conan Doyle’s stories, and it’s perfectly complemented by Downey Jr’s sarcastic, slightly camp take on Sherlock. This adaptation won’t set the world on fire, but it’s a fine two hours entertainment for a dreary winter’s night.

While it might have made a great TV series, Carriers isn’t actually a bad film. And if that sounds like damning with faint praise, well… that’s because it is.

You know us, at BestForfilm, right? Well, we’re hard, we are. Proper nails, us lot. Steely determination, nerves like copper wire, and a mind like a steel trap. Takes a lot for us to sit up and take note of a horror film, let alone have us squealing like jessies and jumping out of our seats. Will Paranormal Activity, the much hyped-shocker in the “found footage” genre, really be something new, or is it all bumf in the night?

The Mayans have spoken, and what they say is that we’re screwed. Cue the effects budget (and sideline sense – if the Mayans knew that much about the future they wouldn’t have got slaughtered by the Conquistadors now, would they?)

There are some things in life that you hype up to such a ridiculous extent, there’s no way they’re going to live up to your expectations. The media frenzy surrounding New Moon ensured there was very little chance it would live up to expectations, and surprise, surprise, it doesn’t. Golden Compass director Chris Weitz places the film squarely in cheesy superhero blockbuster territory with exaggerated special effects and embarrassingly corny love scenes. The only bright spot on the horizon is newcomer Taylor Lautner, who brings a surprising amount of warmth and likeability to the role of Jacob Black.