Rush is a solid, acid-coloured and tense feud flick that ticks the entertainment box with enough substance for film aficionados who will walk in saying things like “I adore Hans Zimmer’s work” (he provides original songs for the movie). While it doesn’t make any leaps and bounds in the biopic stakes – it’s no Ray,…

Psychoanalysis has been tormenting society with its uncomfortable conclusions about your mum for the last century. It has had a huge influence on film, giving filmmakers the opportunity to explore the dark dank recesses of the human psyche while still entertaining with vague references to “penis envy” and “momma’s boy”. We here at Best For Film have dedicated our lives to reducing entire film genres, movements and occasionally random objects (like glasses, or zoos) into easy-to-read lists, and as such we have launched a new blog series, starting with this one: Psychoanalysis in 10 Easy Films.

If Sam Worthington were a colour, he’d be transparent

He’ll be pouring his curves back into the Tron jumpsuit

An English-accented Chris Hemsworth burns some rubber and looks sexy doing it

The story of a pathological liar who discovers that he has a half-sister and a nephew, People Like Us shows off the gargantuan acting abilities of the entire cast. Charming, genuine and flawed, the sweet and the funny is offset with some odd choices at the start and a pedestrian ending. However sceptical, this heart-warmer will win you over.

OH GOD there’s a Jennifer Garner in my butter.

There’s naked Olivia Wilde. Just saying.