Still don’t know when we’ll get to see it, but it looks pretty badass.

Australian cinema has given us some cult classics over the years, proving that the country’s cinematic output isn’t all Baz Luhrmann. The Castle, now being re-released 15 years after it was made, is perhaps the best of the bunch. Hilarious and touching – just get it, it’s a ripper! (That’s Australian for “good”).

One’s a serial killer, the other’s a cop – guess who’s who, we think you’ll be pleasantly surprised.

What’s your favourite Pixar film? Gotta be Toy Story hasn’t it, the first one you watched? Or wait, what about Up, or Wall-E, or maybe you’re partial to a bit of Mrs Incredible? Lord knows I am. Anyway, point is, nobody knows what they’re favourite Pixar film is, but everyone knows what their least favourite Pixar film is: Cars. Well ladies and gentlemen, trust me, Cars is practically The Godfather compared to its sequel. Prepare to be thoroughly disappointed.

We’ve all had that moment when we’re watching a good film, and all of a sudden a song starts playing that you’ve never heard before, but almost immediately it’s become your favourite song of the moment, and you can’t stop whistling it on your way home. A good soundtrack can be the buttery icing on an already deliciously cakey film, and here’s our handy Top 10, just for you.

Think Superbad but with more singing.

Well, there are 8 movies, and two of them have been in 3D, so…yeah.

Every so often you watch a film that you know you’re going to love within the first 5 or 10 minutes. Treacle Jr. is one such film. Funny, poignant, wonderfully acted and making brilliant use of its South London locations, Treacle Jr. is an absolute gem of a film, illustrating once again that you don’t need a Hollywood budget to create brilliant cinema.

This week saw the first teaser trailer for the last instalment of Christopher Nolan’s Batman trilogy, The Dark Knight Rises, and we here at Best For Film were…well, there was a feeling that we’d seen it all before. The gloomy Gotham-scape, mumbled dialogue, lots of shadows and buildings and shiny digital compositions. It’s slick, and it’ll probably turn out to be a good end to a so-far great trilogy, but a tiny part of us was thinking: “It’s not as good as Memento, is it?”. Still, Nolan isn’t the first indie director to be lured in by the lights and financial muscle of Hollywood, as this handy list will attest to.

It’s ok, they’re gonna ugly him up.