Not content with desecrating the legacy of such horror classics as The Wicker Man, The Texas Chainsaw Massacre and Hitchcock’s own Psycho, Hollywood is now setting out to turn The Birds into yet another lifeless, pointless, remake.

It’s a dream so crazy that even the infamous Man of La Mancha would be impressed. Cinema’s favourite dreamer Terry Gilliam is forging ahead with his abandoned project The Man Who Killed Don Quixote, which was abandoned in 2000 after a series of truly unfortunate events.

Here at BestForFilm, it’s rare for us to simultaneously dread and really look forward to a film. But that, sadly, is the unenviably position we find ourselves in when confronted with Night of the Living Dead: Origins.

The as-yet-untitled fourth installment in the Bourne series suffered a massive setback this week, with director Paul Greengrass quitting in what’s rumoured to be a dispute over the script.

Originally broadcast as a TV special on NBC in the states, Merry Madagascar is about as shameless as it gets in the long line of trying to cash in on Christmas. It seems clear that some exec, sitting in an artfully underfurnished office somewhere in Los Angeles, simply looked at a balance sheet and saw that Madagascar 2: Escape to Africa had done quite well.

It’s 2018: Battle-weary members of the human resistance are rising up against killer machines, desperate to claw back the arid, devestated nuclear wasteland that used to be (fanfare!) the U.S. of goddamn A. Why on earth they’re actually that bothered about fighting for some half-yard of radioactive cinder is anyone’s guess. Everyone’ll be living on Jupiter in 2018.

You may have picked up on a recent bit of harrumphing from certain quarters concerning Guilliermo del Toro’s Hobbit film: namely, production has been delayed, it hasn’t been formally greenlit by any studio yet, ergo we’re never going to see it and the world will surely be engulfed by a cleansing fire should a hairy-footed teaser trailer ever make it to Youtube.

You know us, at BestForfilm, right? Well, we’re hard, we are. Proper nails, us lot. Steely determination, nerves like copper wire, and a mind like a steel trap. Takes a lot for us to sit up and take note of a horror film, let alone have us squealing like jessies and jumping out of our seats. Will Paranormal Activity, the much hyped-shocker in the “found footage” genre, really be something new, or is it all bumf in the night?

Just in time for the weeked, Paranormal Activity was released in th UK last week. Whether it’ll replicate its startling performance at the US box office is a matter for audiences (and if they’re brave enough to go and watch it) – but one thing’s for certain: we’ll certainly be seeing more of its now hot-property director Oren Peli.

Heck, we’re as guilty as anyone out there banging on about Avatar for the last goodness-knows-how-long, what with the fancy new effects, stereoscopic whatsit and mind-blowing interactive trailer. When a film’s hyped as much as Avatar has been, it gets pretty tricky (after a while) to distance yourself from all the marketing hoo-har.