Dustin Hoffman has finally been confirmed as appearing in Little Fockers, the third in the Meet the Parents trilogy. Heaven help us.

If you thrilled to the charming bumblings of M Hulot and gazed spellbound at the visual feast of Belleville Rendez-vous, then brace yourself. Based on a Jacques Tati script adapted by director Sylvain Chomet, The Illusionist has the best of both directors’ vision.

The controllers of Facebook are reportedly unhappy with the content of upcoming film The Social Network, which charts the growth of the Web 2.0 phenomenon.

Someone needs to stop Sly Stallone before he wastes any more celluloid. An overblown, overacted mess, watching The Expendables is like liquidising all your Rambo DVDs, pouring the resulting testosterone-laden gloop into a shotgun with a generous slug of protein shake, and shooting yourself in the face.

Sylvester Stallone’s ridiculous film The Expendables has managed a second week at the top of the US box office charts.

Do you have a favourite actor? How about a least favourite? In our semi-regular J’Accuse feature, two of Best For Film’s most opinionated writers go head to head in a no-holds-barred tussle over an actor or film which one thinks is super and the other reckons to be shite. This week: everyone’s favourite couch-jumping superstar, Tom Cruise!

Warner Brothers have revealed the point at which the first half of Harry Potter and the Deathly Hallows will end. Warning: spoilers!

Just weeks after ducking an extradition attempt, Roman Polanski is to begin directing his next film – an adaptation of hit play God of Carnage.

Director and gourmand Michael Winner has expressed his relief at the proposed closure of the UK Film Council.

Step Up 3D has lots of very talented dancers in it, which is all well and good. Unfortunately, not a single one of them could act their way out of a damp paper bag. Which is not so good. This film will definitely be a waste of your time, unless you’re 14 years old and think that a plot is somewhere to grow vegetables.