Arbitrage is the feature directorial debut of writer Nicholas Jareck about successful hedge-fund manager Robert Miller and the consequences he must face when honesty is no longer an option. Richard Gere is on top form is a film about the morality of finance in post-crash America.
The indie awards are not so indie this year.
Hello Friday drinkers! This week we have decided to created a boozy game in honour of the Australian extravaganza maker Baz Lurhmann to mark the UK rerelease of his hits Romeo + Juliet and Moulin Rouge! Join us, darlings, for a bit of insufferable inebriation. Put on your dancing shoes and grab your copy of Gatsby, for this one’s gonna need some tools.
We know very little about this man’s work. But we are very excited.
You are a smelly pirate hooker, and I’m going to slap you in public.
With the Oscars almost upon us once again, we at Best For Film thought that we might profit from a review of some of the highlights said gushing award ceremony has provided us with over the years. For the sake of variety, this laudable list shall include both the famous and the infamous, the highs and the lows, the sugar and the bitters. Such a cocktail should be swirled in the mouth like the metaphorical marbles of Sir Laurence Olivier’s plumy tones, or alternatively expelled in disgust like a Michael Moore acceptance speech. The choice, our BFF Academy, is yours.
The Paperboy is a delicious piece of abundant cinematic melodrama set in sultry Florida in the summer of 1969. From writer and director Lee Daniels, who last brought us Precious, the film is based on the true events surrounding the murder of a sheriff in a small town, and a team of journalists and their associates who attempt to get to the truth.
Come come Mr Bond, you get as much pleasure from Romance as we do.
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