Look up the name Joseph Kosinski and you’ll find woefully little to fill out even this excerpt. He made a name for himself in advertising by creating eye-catching commercials that were laden with computer graphics and imagery. His foray into feature film came at the hands of Steven Lisberger (director of the original Tron) who hand picked him for the director’s chair of the sequel, Tron: Legacy. His debut was nothing short of a roaring success, setting up his latest sci-fi adventure as a thing to behold.

Good Vibrations isn’t your average biopic, but then again Terri Hooley isn’t your average man. After watching this film I guarantee you’ll want to do a John Peel and listen to Teenage Kicks on repeat, then stick on the entire back catalogue of The Outcasts really loud and have a really good, life-affirming jump around.

Notorious for scandalising even the French, Baise-Moi fought extremely hard against the label of ‘pornography’ given to it by the certification board. Boasting “prolonged sex scenes of an extremely explicit nature and scenes of graphic violence” and continued bans in many countries, this low-budget sexploitation is known more for its reputation rather than its content. All controversy aside, Baise-Moi is an midly enjoyable, if uneven, feminist punk fantasy.

Despite its promising cast and iconic London setting, All Things To All Men fails to grab your attention and run off through Regent Street with it. Slow paced, confused and anti-climactic, the best part of the film is when Lenny Kravitz’s Are You Gonna Go My Way is, for some reason, blared out over the credits; allowing you to get your air guitar on with careless abandon. What is it with action films set in the capital and their inability to be remotely entertaining?

Bizarre visuals, outdated humour and a needlessly abstract moral prevent this prehistoric offering from DreamWorks Animation from living up to its potential. The animation flows smoothly enough and the 3D doesn’t offend, but when it’s difficult to recognise the message, let alone the wildlife, it’s fair to say that something has missed the mark.

Don’t let the cheesy title fool you – Susanne Bier’s new film is a gentle, poignant tale that steers clear of the romcom tropes. Starring Trine Dyrholm as a cancer survivor coping with her husband’s infidelity, and Pierce Brosnan as a brusque, anti-social widower, Love Is All You Need might initially strike you as a simplistic make-the-lonely-older-ladies-feel-better affair, but with its moments of sharp humour, tinges of tragedy, and likeable performances from everyone involved, Bier’s film stealthily transcends the norms of its genre.

Papadopoulos & Sons is an entertaining Anglo-Greek comedy flick that showcases Marcus Markou as an able first time director and writer. With heartfelt performances, moments of inspired humour and a bit of dancing; this film is a heartwarming tale about family, finding yourself, and fish and chips. Seriously, you WILL want to pop in to a chippie after this.

Ahh! Disney! The conglomerate with a heart. And let’s be fair, most of us have had a childhood filled with their kid-friendly creations designed to teach us what it means to be a good person. It’s been a few years since those days, with Disney taking on a preoccupation with the money-making blockbuster rather than the moral lecturing. That is, till now.

Disney angels turning seedy Hollywood. That’s been the primary hype surrounding Harmony Korine’s latest R-rated project. And it’s a shame really, because this is much more than just teen queens in bikinis behaving as you’ve never seen them before; this is a dissection of a generation and an expose on the psychedelic trip that is Spring Break.

Dark Skies had so much potential to be a truly terrifying invasion film but, thanks to the stilted dialogue, cliched lines and unimaginative alien, it has fallen short of “out of this world” and become a semi-enjoyable (yet ultimately forgettable) popcorn flick instead…