With the last days of Edgar Allen Poe proving an enduring mystery, James McTeigue poses an account of the poet’s final days that sees him investigating a spate of murders based on his previous works. Drawing a mixed response from critics, we can at least rest assured that it couldn’t possibly be any worse than his 2009 effort, Ninja Assassin. Right? RIGHT?
STILL QUITE BORING
Overbearingly quirky Brit indie which aims for life affirming zaniness but lands several miles on the wrong side of cutesy irritation.
No, no – not films with women in them. That would be silly. Instead, to celebrate the release of mumbling Jonny Cusack’s Edgar Allan Poe biopic (loosest use of the term) The Raven, we’ll be turning our attention to appearances made by our feathered friends on the big screen. To paraphrase Peter Pan “Being drunk is the happiest thing! It’s the same as having wings!”
What do you get when you mix a re-hashed 80s teen drama, a deeply unoriginal “fish outta water” scenario, yet more bloody buddy-cops and Channing “meat face” Tatum trying to be funny? A sparky, self-aware, genre-flipping and consistently entertaining comedy-action fest, where LOL veteran Jonah Hill takes a back seat to that bloke out of Dear John. Honestly, we’re as surprised as you are.
R-Pattz’ post-Twilight breakout role is as a talentless schmoozer who drags himself up the ranks of fin de siècle Parisian society on a ladder made from other men’s wives. Visually dazzling but with no real substance, this new adaptation of an 1885 novel is as charmingly insubstantial as its lusty yet anodyne antihero. Bel ami, médiocre film.
Nicolas Cage finally gets the kudos he deserves by having a film made about him (well, his stolen comic book). Humble Nouveau-Shamanist that he is, Cage won’t be playing himself.
Chastain. Strong. Bigelow. Protesting Hindu Radicals. What more do you want?
We were going to say ‘in talks with The Counselor’, but it sounded a bit meta.
She’s 13. What have you achieved today?
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