Latest articles

  • The Raven

    With the last days of Edgar Allen Poe proving an enduring mystery, James McTeigue poses an account of the poet’s final days that sees him investigating a spate of murders based on his previous works. Drawing a mixed response from critics, we can at least rest assured that it couldn’t possibly be any worse than his 2009 effort, Ninja Assassin. Right? RIGHT?


  • Booked Out

    Overbearingly quirky Brit indie which aims for life affirming zaniness but lands several miles on the wrong side of cutesy irritation.


  • Friday Drinking Game #42: Bird Films

    No, no – not films with women in them. That would be silly. Instead, to celebrate the release of mumbling Jonny Cusack’s Edgar Allan Poe biopic (loosest use of the term) The Raven, we’ll be turning our attention to appearances made by our feathered friends on the big screen. To paraphrase Peter Pan “Being drunk is the happiest thing! It’s the same as having wings!”


  • 21 Jump Street

    What do you get when you mix a re-hashed 80s teen drama, a deeply unoriginal “fish outta water” scenario, yet more bloody buddy-cops and Channing “meat face” Tatum trying to be funny? A sparky, self-aware, genre-flipping and consistently entertaining comedy-action fest, where LOL veteran Jonah Hill takes a back seat to that bloke out of Dear John. Honestly, we’re as surprised as you are.


  • Bel Ami

    R-Pattz’ post-Twilight breakout role is as a talentless schmoozer who drags himself up the ranks of fin de siècle Parisian society on a ladder made from other men’s wives. Visually dazzling but with no real substance, this new adaptation of an 1885 novel is as charmingly insubstantial as its lusty yet anodyne antihero. Bel ami, médiocre film.