Erm… Wow.

Halloween is a time for scary movies with a high sugar and fat content. Cast aside nutritious award-winning scares and shun that well-received Scandinavian or Japanese horror… It’s time to pig out on the scary movie equivalent of tarty/spooky Halloween costumes, apple bobbing and dodgy home-made punch with jelly spiders in it. What does the world want out of a truly great Halloween movie? PURE NONSENSE!

The world of film is awash with Marmite topics – actors, genres or even cinematic styles which make some movie-goers dampen their plush seats and others tear the stuffing from the punter in front. In our J’accuse series, two of Best For Film’s writers go head-to-head and debate a controversial aspect of cinema. This time round it’s the worst nightmare of every indie Japanese director – the Hollywood remake.

How do you judge the greatest horror film ever made? Is it how near you come to running out the room, sweating? Is it the intensity of the nightmares that follow? Or is it the film that sparks off agorophobia? If that is the criteria, then Big Momma’s House gets my vote.

After weeks and weeks of speculation, auditions and rumours, David Fincher has finally revealed who he has chosen to star in The Girl With The Dragon Tattoo. The lucky lady? Rooney Mara. Who?

Despite fairly average reviews, it looks like Iron Man 2 is worth its weight in gold. Iron gold. Yeah. In its opening weekend, the superhero sequel took $133.6m – the fifth highest take ever – during its opening weekend, easily trumping the first flick’s opeing takings of $98m.

You know what we enjoy doing? Going to the future. We also enjoy going back to the future, but we’ve had copyright problems with that before. The point is, we’ve risked life and limb to discover what films are hitting our screens in upcoming weeks. Don’t ask us how we’ve done it. All we’ll say is that the Wikipedia Towers of the future are a terrifying and overly bear-guarded place. So, should you save our pennies for an upcoming epic, or splurge like there’s no tomorrow on the flicks out now? We’ve got the answers right here.

Not content with desecrating the legacy of such horror classics as The Wicker Man, The Texas Chainsaw Massacre and Hitchcock’s own Psycho, Hollywood is now setting out to turn The Birds into yet another lifeless, pointless, remake.

Broken is the feature film debut of British director Rufus Norris. Adapted from a Daniel Clay novel, the picture is the story of three families living in a North London cul-de-sac as seen through the eyes of young girl Skunk (Eloise Laurence). Affecting and current, Broken blends gritty realism with just a hint of melodrama to create a state-of-the-nation piece that works on many levels.

In the wake of critical and commercial successes such as The Queen and The Young Victoria, director Tom Hooper has taken on one of the most obscure dramas in recent British royal history – the titanic struggle which King George VI faced whenever he was called upon to speak in public. In doing so, he has categorically made the best film of both his own and Colin Firth’s career. The King’s Speech is perfect.