20th Century Fox gives us a taster of what we can expect from X-Men prequel movie, First Class.
Adam Sandler’s hamfisted production company is to wreck another perfectly good film.
James Cameron? Andrew Adamson? The circus? 3D that people will both love and complain about in equal measure?
This film is billed as making you ‘laugh till your tits drop off’, and while it clearly worked in Keira’s case, it didn’t have the same effect for this reviewer (nor apparently for Colin Firth).
New director, Anton Dali Breton Coppola III hopes this short will go golden at the globes and it just might for he combines elements from the Theatre of Cruelty with the magical imagery of Dali and a script that André Breton would be proud of.
Baubles, booze and the inevitable Dave Berry Christmas DVD should all be side stepped and a run made for the queue to buy tickets for this epic.
Michael Winner makes a triumphant return to the silver screen to bring us Death Wish At Christmas, twenty-five years after collaborating with Charles Bronson in his last contribution to the franchise
The alternative Christmas tale of three very unwise men on motor bikes (Heaven’s Angels)seeking the new Messiah whose Satellite navigation system takes them not to Bethlehem but to Bethnal Green, London where a newly born baby is feted as the new Saviour of the world.
Snipe London
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