This seems to be the season for films with just one good idea. Last week The Box stunned us with it’s complete failure to follow through on an interesting premise,..

Looks like the villains for the hotly anticipated Spider-Man 4 have managed to leak online. Movieline has reported that we’re to be treated to a feathered duo knocking heads with the webslinger sometime in 2011. Since the end of the disappointingly messy Spider-Man 3, rumours have been flying about concerning which of his menagerie of villains would be popping up next.

On December 11th, The Lovely Bones gets a limited release Stateside, with the full shebang rolling out a whole month later on the 15th. Over in the land of Blightly, we’ll get our fill of Peter Jackson’s latest a full six weeks later on January 29th, pretty much last in the world release queue. Not that we should feel maligned – the release date has been endlessly shunted about (it was originally slated for March 2008), ostensibly to ensure The Lovely Bones a spot on the Oscars shortlist.

The gore-splattered sequel to 2005’s The Descent, which provided some genuine chills and the fuzzy feeling you get from a British film doing well, sadly isn’t quite up to the high standard set by the original.

There’s generally only one type of Christmas film, or at the very least, a very identifiable type of film that always seems to get a festive release, year after year…

If someone offered you a million dollars with the knowledge that if you took it, someone you don’t know would die, would you accept? This is the interesting central question..

What are you more tired of, the phrase ‘Tim Burton and Johnny Depp’ or the words ‘vampire movie’? We’re not sure either, but for better or for worse, it would appear that we’re going to be hearing a lot more of both.

Say what you like about the state of British film at the moment, there’s one thing that us plucky Brits do that makes the envy of the world, and that’s our TV comedy. From Monty Python to The Office, our self-deprecating humour has been shipped out, remade, lauded and appropriated everywhere from the Americas to the Antipodes. And one of the standout comedies of the last few years, courtesy of those marvellous chaps at E4, was Damon Beesley and Iain Morris’s sixth form anguish-a-thon The Inbetweeners.

The actor Richard Todd, best remembered for his role as Wing Commander Guy Gibson in the classic 1955 wartime drama The Dam Busters, had died peacefully at his Lincolnshire home.

There was once a time when Sandra Bullock reigned supreme over the romantic comedy, but that time, as this film demonstrates, is well and truly over. This new ridiculous outing sees Bullock’s pushy book editor force her put-upon assistant to marry her to avoid deportation, and naturally (yet inexplicably) romance ensues. Even if you can put aside the formulaic stupidity, the chemistry between Reynolds and Bullock is about as poor as it gets. One to avoid unless you’re desperate.