Simple, clever, funny and kind, self-styled “cancer comedy” 50/50 offers a lot more than its marketing might suggest. A brilliantly aware, honest look at a tale that one in three of us will live with; wonderful writing, careful casting and Seth Rogan at his thankfully un-irritating best make this an absolute masterclass.

So it’s official; Anne Hathway will definitely be taking on the role of Fantine in the upcoming film version of Les Misérables. If you felt a breeze just then, it would be the result of collective sighs sweeping across the nation. This seems like the perfect time to lament the top 10 roles which didn’t require Anne Hathaway, doesn’t it?

The Big C….oh the jokes, the jokes!

Enter Up in the Air, the latest romance-comedy-drama from Juno director Jason Reitman, and starring perhaps the most universally idolised and desired movie star of our generation, George ‘Smooth As Silk’ Clooney. The prospect of such a dream team was always going to be a hotly anticipated one, and we’re pleased to report that this is one of those few wondrous instances of a film living up to its press.

We’re pleased to report that Up in the Air lives up to its press. This romance-comedy-drama from Juno director Jason Reitman is intelligent, soulful, keeps you laughing, keeps you guessing, and leaves you with that lump-in-your-throat feeling that you’ve experienced a truly lovely moment in cinema. Clooney’s emotionally detached jetsetter is perfectly (and surprisingly) matched by Twilight newcomer Anna Kendrick, and Reitman’s narrative expertly weaves witty comedy into beautiful moments of poignancy. If you only see one film this month, make it this one.

The nominations for 2010’s Golden Globes award ceremony are in – and there are certainly some surprises.
Everyone’s favourite poor man’s Oscars will take place on January 17 next year, and to give us all adequate jeering and scoffing time, the Hollywood Foreign Press Association today announced their illustrious potential award recipients.

There are some things in life that you hype up to such a ridiculous extent, there’s no way they’re going to live up to your expectations. The media frenzy surrounding New Moon ensured there was very little chance it would live up to expectations, and surprise, surprise, it doesn’t. Golden Compass director Chris Weitz places the film squarely in cheesy superhero blockbuster territory with exaggerated special effects and embarrassingly corny love scenes. The only bright spot on the horizon is newcomer Taylor Lautner, who brings a surprising amount of warmth and likeability to the role of Jacob Black.