Hey look, it’s the Amazing Spider-Hobo!
More photos from NYC.
Who we love! So it’s all good.
We’ve gone far too long without anyone playing the music, and don’t even get us started on what’s happened to the lights. Thank goodness then that The Muppets are finally where they belong – back on the big screen and firmly in our hearts. The story might not be the most ambitious one around and the great Frank Oz’s absence can’t help but be felt, but when you’ve got Fozzie Bear in fart-shoes, Dave Grohl on the drums and our ol’ pal Kermit at the centre of it all, it’s difficult to imagine more wholesome family fare.
Kermit, does this film have socially redeeming value?
Recessions are rubbish, that’s pretty much a given. However, there is one distinct upside to the spectacular financial crash which has bankrupted and disenfranchised millions in the last four years; some really bloody good films have come out of it. We’ve had Up in the Air, Inside Job – and now The Company Men, which will make you empathise with a hugely well-paid executive more than you would have thought possible.
Taking up direction duty for first time since his impressive debut, Gone Baby Gone, Ben Affleck makes his second contribution to the ever expanding sub-genre of Boston crime films. Giving a romantic charm to a story of master criminal versus determined cop that Michael Mann would be proud of, it follows the plight of bank-robber Doug MacRay. Desperate to get out, but hopelessly locked in, will Doug get the girl like Will Hunting, or bite the dust like John Dillinger? Most importantly, will he ever get to leave The Town?
Sad boy meets sad girl. Said sad boy and sad girl inevitably fall in love. Whilst it would be easy to summarise Remember Me as such, it would be crude..