You know the Cravendale adverts? You know, the stop-motion animation where a cow, a pirate and a cyclist all live together, living off milk and competing in musical statue for the last glass? Well, picture a feature length film in that style, in French and with more imagination then you could use to power the whole of Whoville and you’ve got the gloriously absurd and playful A Town Called Panic.
There’s no doubt about it; cinema ain’t what it used to be. What with new and improved seating, 3D films assaulting your retinas and more snacks then you can shake your expanding belly at, going to the flicks has become somewhat different to that of our forefathers. So who’s for an extra-crispy, oven-roasted, honey-glazed, menagerie of cinema with extra sprinkles, all topped with a quails egg?
With the final instalment of the Toy Story trilogy opening in cinemas this week, it’s no wonder that parents (and grown-ups furtively pretending to be parents in order to justify their DVD collection) are stocking up on the celebrated parts one and two. Already being hailed as one of history’s most successful film trilogies, it looks like we’ll be seeing a lot more DVD love from Woody, Buzz and the entire Toy Story team. And we couldn’t be happier about it.
As people whose childhoods were made up entirely of watching cartoons in darkened rooms, we’re always happy to know that our tender years was not utterly, utterly wasted. Disney has decided to adapt their glorious 90s cartoon series Gargolyes into a feature-film, and frankly, we’ve never felt more knowledgable (who’s life is pointless now, mum?)
Director Joe Wright is using his mighty powers of adaptation to direct a live-action version the fishy fairytale.
It may be strange to think it, but in an age where we’re so used to 3D creatures, pixilated flying houses and talking toys, a 2D film can be considered pushing the boundaries of today’s kids entertainment. Gone is the golden age of Disney classics- The Lion King, The Little Mermaid, Aladdin – all-singing, all dancing, all bloomin’ marvelous. Today what kids want is explosions, nifty special effects and some smooth-talking robots, right?
Don’t get too moist in your downstairs partyhouse, this sadly isn’t a full clip of Disney’s next blockbuster. However, short as it is, this little peeklet of Tangled – Disney’s new look at the tale of Rapunzel – does let us have a nosey at the style of the film.
In what we think as pretty sad news, the original owners of the Miramax company – brothers Bob and Harvey Weinstein – have failed in their bid to buy back their company Miramax from Disney.
Crimety, even the all-powerful Disney are now fully on the re-make bandwagon, it seems. After the ridiculous (and in our opinion, completely undeserved) success of Alice In Wonderland, the Mouse House have upped their re-make capacity, promising to deliver Malificent (the untold story of Sleeping Beauty) and now a live-action version of Cinderella. Is a remake we need? Of course not. But when has that ever stopped Hollywood before?
Pirates of the Caribbean: On Stranger Tides has had its budget cut! Pirates 4 will be made for a completely pathetic $200 million, rather than the juicy $300 million the last film, At World’s End, had to play with. Disney’s new chairman Rich Ross “wants to be mean and lean and cost effective,” according to Pirates 4 producer Jerry Bruckheimer. Many scenes, including an action sequence set on a frozen river Thames, have been cut as a result. But Bruckheimer says of the removed scenes: “the audience will never miss them”.
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