After the mammoth critical and commercial success of No Country For Old Men, it was perhaps inevitable Hollywood would turn to Cormac McCarthy’s next book and hope the success can be repeated. But brothers Joen and Ethan Coen, who produced and directed No Country, are very special filmmakers indeed. Could The Proposition director John Hillcoat turn McCarthy’s Pulitzer Prize-winning The Road into another multi-Oscar winner?

Take a romatically challenged, cynical workaholic and cross her with a victim of heartbreak who thinks with what’s in his pants. What do you get? True love apparently. Boy meets girl. Girl hates boy. Boy wins girl over. It’s nothing we’ve never seen before – The Ugly Truth is your typical boring battle of the sexes ‘romantic comedy’. Yet another sickly film to leave us with a floating outlook on relationships. And that’s the ugly truth.

We need to be honest with you… we’re nerds – pocket protector owning, corduroy wearing, Windows 3.1 loving nerds and have been long before it became quasi-cool (thanks Pharrell). While our playground peers were debating The Ultimate Warrior and Hulk Hogan, we were having deep discussions about phasers, warp drives and why Captain Kirk would make the best dad ever. This makes us the worst type of nerd – a Star Trek nerd. And while we’ve never gone to a convention, it didn’t stop us pestering our mother’s in to making us a Federation captain’s uniform out of a knitted yellow jumper, some kitchen foil and a carefully cut egg carton. Hence you can only imagine our trepidation at the prospect of the Mr. Mission Impossible 3 J.J. Abram’s, reboot – but we and our fellow geeks needn’t have worried.

In these troubling times of global warming, financial crises and that nice Tiger Woods cheating on his wife, it’s comforting to know that one man alone remains staid and unchangeable: Hugh Grant. Luckily, his latest frothy outing, with toast of New York Sarah Jessica Parker, is no exception to his usual bumbling-posh-man charms – this time, he’s heading into the wilds of the American midwest after he and his estranged wife witness a murder and must be relocated into a protection scheme. There’s just as many laughs, albeit predictable ones, as always, so if you’re a Hugh fan, get ready for a fun-filled 90 minnutes spent chuckling into your popcorn.

The Hurt Locker, Kathryn Bigelow’s thrilling and hard-hitting war drama, is a master class in sustained tension as a three-strong bomb disposal squad attached to the US Army risks life and severed limb to defuse roadside IEDs. Starring Ralph Fiennes and Anthony Mackie, it’s one of the sharpest and most intelligent films concerning the War in Iraq, but it’s in no way easy viewing.

Produced by Sir Peter Jackson of Mordor and directed by talented newcomer Neill Blomkamp, District 9 is a smart, slick sci-fi thriller that tries to hit all the buttons and almost – almost – succeeds. The film concerns the attempts of corrupt corporation MNU’s attempts to evict the stranded aliens – derogatively referred to as “prawns” – from a slum in the centre of town to a concentration camp far away from the dismissive human populace.

If ‘kidult’ films are the latest trend in Hollywood, Where the Wild Things Are would be at a Kate Moss level of cool, as the hype surrounding it demonstrates. But this is one movie that lives up to its press – the sumptuous visuals, amazing costumes and edgy soundtrack create an amazing and unique cinematic experience. There’s not as much in it for the kids as some parents might like, but the lack of family-friendly formulaic storytelling is also what makes it great.

So it’s two years since the evil Megatron’s death, and Optimus Prime, the other Autobots and the significantly less exciting humans have been going about their business as usual. What could disturb this harmonious bliss? Why, the discovery of a Transformer so bloomin’ evil he makes Megatron look like a Bosch iron. The Fallen – the lost brother of the Transformers – is preparing for battle on Earth And believe us, his battle is extremely explodey.

You know us, at BestForfilm, right? Well, we’re hard, we are. Proper nails, us lot. Steely determination, nerves like copper wire, and a mind like a steel trap. Takes a lot for us to sit up and take note of a horror film, let alone have us squealing like jessies and jumping out of our seats. Will Paranormal Activity, the much hyped-shocker in the “found footage” genre, really be something new, or is it all bumf in the night?

Back to the gritty, urban milieu of earlier films such as Get Carter, Michael Caine delivers an uncompromising and sympathetic performance in Harry Brown, a dark and violent revenge thriller. But where the performances stand out, some of the politics in the film fare less well. Read on to find out what we thought of Michael Caine blowing off more than just doors.