There are few sights guaranteed to strike terror into the heart of one and all, but US Vogue editor Anna Wintour is one of them. Surprisingly, this documentary chronicling six months in the life of the ball-busting ice queen manages to expose her human side. It also gives us an intriguing insight into the making of the world’s most powerful fashion publication, from the early brainstorming sessions to the fabulously artistic photo shoots.

It may be well and truly outside the realm of reality or sense, but the fifth season of J.J. Abrams’ sci-fi drama delivers the twists and turns as skilfully as ever.

You wouldn’t think pleasant comedic romps through the English countryside and Jessica Biel would go together, but somehow in this instance they do. Biel shines with charm and charisma, and Kristin Scott Thomas and Colin Firth are equally strong in supporting roles. Easy Virtue, as the title suggests, is a great night’s easy entertainment, a little gem of a comedy that you’re sure to enjoy more than you expected.

When we last left TV’s favourite unhinged doctor, he’d been indirectly responsible for the death of his only friend Wilson’s girlfriend and new-school team member Thirteen had discovered she had Huntington’s Disease. Despite some early uneasiness while these plot issues resolve themselves, season five generally continues the hit show’s original formula with entertaining success. There’s a darker edge to this season, however, as the real House behind the sarcastic quips is discovered in depth.

Michael Mann’s expertly crafted tale of Depression-era gangster John Dillinger’s final exploits looks good on paper, with standout performances from Johnny Depp and Christian Bale. But it fails to get to the heart of one of America’s craftiest criminals.

It’s hard to talk objectively about Twilight without getting absorbed in the somewhat frightening teen-girl hype that has surrounded first the books, then the movies. Stephenie Meyer’s four-book series about a young girl caught in a love triangle between a vampire and a werewolf (a problem all of us can certainly relate to on some level) raced up the bestseller lists faster than publishers could say ‘Harry Potter’.

The title of this movie says it all, really. Another in a seemingly never-ending line of horrendous teen slasher flicks, it’s based around the typically stupid premise of a high-school hottie who is inexplicably transformed into a blood-lusting demon. There’s only one reason I can think of that any of the movie going public would subject themselves to it – to have a good old perv at Megan Fox, aka said hottie-cum-demon, Jennifer Check.

Terry Gilliam’s nonsensical fantasy is a stunning sight to behold, but the spectre of Heath Ledger’s death during filming, and his below-par performance, is a hard thing to escape.

From horror flicks to romances, Hollywood owes some of its most original film ideas to the Asian film industry, and has done for the past 40 years. And why not? Remakes of Asian films offer a cheap and market-tested method of reaching audiences and earning big bucks. But simply buying the rights does not always a smash hit make.

This film adaptation of Steve Lopez’s real-life friendship with schizophrenic musician Nathaniel Ayers has two of the year’s best performances from stand-out actors. But a cheesy screenplay and cliched directorial treatment make it a little forgettable.