Genius / pathetic?
Natalie Portman’s shiny new Academy Award is going to reflect an awful lot of spotlights on her over the next few years. This should be fine, of course, but it’s not ideal when the project currently in the post-Oscar glare is a distinctly average drama which she made before Black Swan and which has only just crept onto DVD. The only impossibility in Love and Other Impossible Pursuits is enjoying it.
Is it time for the lovely relaxing weekend yet? Is it hell; you know the rules, nobody gets to go home until two of Best For Film’s crankiest writers (and none of us boast what you might call a sunny disposition) have it out on a contentious topic. This week it’s dance films; where do you stand?
And there should be a plethora of good reasons, but Kunis has not one.