It may be well and truly outside the realm of reality or sense, but the fifth season of J.J. Abrams’ sci-fi drama delivers the twists and turns as skilfully as ever.

You wouldn’t think pleasant comedic romps through the English countryside and Jessica Biel would go together, but somehow in this instance they do. Biel shines with charm and charisma, and Kristin Scott Thomas and Colin Firth are equally strong in supporting roles. Easy Virtue, as the title suggests, is a great night’s easy entertainment, a little gem of a comedy that you’re sure to enjoy more than you expected.

When we last left TV’s favourite unhinged doctor, he’d been indirectly responsible for the death of his only friend Wilson’s girlfriend and new-school team member Thirteen had discovered she had Huntington’s Disease. Despite some early uneasiness while these plot issues resolve themselves, season five generally continues the hit show’s original formula with entertaining success. There’s a darker edge to this season, however, as the real House behind the sarcastic quips is discovered in depth.

Michael Mann’s expertly crafted tale of Depression-era gangster John Dillinger’s final exploits looks good on paper, with standout performances from Johnny Depp and Christian Bale. But it fails to get to the heart of one of America’s craftiest criminals.

They’ll be there for you… all ten seasons of them in one handy collection. Although it’s been 4 years since the final episode of Friends aired, there seems to be no end in sight for the popularity of this cultural phenomenon. And to be honest, we can see why. Brilliant writing, characters you can’t help but fall in love with, and a theme tune that somehow never gets annoying. Even now it’s a great Christmas present, and we’ll probably be saying the same thing next year.

It’s hard to talk objectively about Twilight without getting absorbed in the somewhat frightening teen-girl hype that has surrounded first the books, then the movies. Stephenie Meyer’s four-book series about a young girl caught in a love triangle between a vampire and a werewolf (a problem all of us can certainly relate to on some level) raced up the bestseller lists faster than publishers could say ‘Harry Potter’.

Bauer’s back! Season 7 of 24 proves that with a little thought, even a series in freefall can get back to basics while successfully moving forward.

Damn you George Lucas! No, not for making the Star Wars prequels and casting a Canadian Redwood as the Dark Lord of the Sith. And not for flogging a dead, Indiana Jones shaped, horse in The Kingdom of the Crystal Skull. No, we damn you because as the Godfather of the franchise you are directly culpable for Ratnerised X-Men: The Last Stand. It’s complete uselessness is the reason we’ve been treated to this Wolverine prequel (and, if rumours are to believed, a sequel to the prequel plus a Magneto movie as well). An entirely new franchise of an existing franchise – great, just what we’ve always wanted!

Terry Gilliam’s nonsensical fantasy is a stunning sight to behold, but the spectre of Heath Ledger’s death during filming, and his below-par performance, is a hard thing to escape.

With millions of kids around the world getting a taste for blood, there’s never been a better time for vampiric stories to be transferred to the big screen. However, we can’t help feeling that with confusing storytelling and lack of energy, this one lacks bite.