Morality is wicked, but is it always important and when should it be overlooked, if at all? If Not Us, Who? is full of big questions: if you’re into thinking and interested in German Anarchism, give it a shot.

Combine a found-footage film style with a high-school party film and what do you get? The craziest, most destructive house party ever seen in cinema. It’s all a bit pointless, but it’s still pretty good fun.

Reese Witherspoon and two of those action type actors star in a film about action and Reese Witherspoon. A film, incidentally, which was directed by Joseph McGinty ‘look what a stupid mononym I’ve got’ Nichol. It’s mostly guns and punches and stuff, so why isn’t it too dreadful?

Agnieszka Holland is at the helm for yet another Polish film about how hard things were in the Nazi-occupied years. I would say ‘Get over it,’ but that’d undermine the fact that it’s actually a pretty good film.

A warm and insightful documentary about the career of one of Hollywood’s most overlooked movers and shakers, Roger Corman. Never heard of him? Bow your head in shame, then raise it again to watch this film.

If film titles were a true reflection of their content, Katherine Heigl’s latest mawkish, reductive and ceaselessly boring ‘comedy-thriller’ wouldn’t be called One For The Money. It would be called Yet Another One For The Money, And Also It’s Cool To Be Utterly Incompetent At Everything As Long As Someone Tells You You’ve Got Nice Tits. Tricky to fit that on the posters though, I suppose, considering how much room has to be left for her nice tits.

The English-language debut of Swedish thriller director Daniel Espinosa is a “high-octane”, “intense”, “no holds barred” (delete as appropriate) maelstrom of secrets, spies and badly edited fight scenes. The cast is fine and it’s always nice to go back to South Africa (fokken prawns!), but surely we’ve outgrown two hour gunfights interspersed with trash talk?

Interesting more as a window onto 60’s Paris and the spectacle that was Brigitte Bardot than as a piece of film, Love on a Pillow is unlikely to appeal to many who are just hoping for a decent movie.

The winner of this year’s Cannes Queer Palm, Oliver Hermanus’ Beauty is a bleak look at the secret life of a closeted South African homosexual. But does its visceral insight into the specifics of its subject overshadow the importance of the societal pressures at hand?

Eventually Special Forces turns into a damn good survival thriller set in a beautifully captured Middle Eastern landscape. It’s just a shame you have to sit through an hour of numb, generic action to get there.