An undeniably bleak snapshot of adolescence in ‘Broken Britain’, the critically acclaimed and BAFTA award-winning Fish Tank is a thoroughly captivating experience from start to finish. Centred upon the character of Mia Williams, Fish Tank offers much more than the usual gritty portrayal of teenage life in urban Britain.

We join Harry (Daniel Radcliffe) and the gang in the sixth instalment of J. K Rowling’s seven part story of sorcerers and spells. Lord Voldermort has returned in full glory and both the wizarding world and the muggle world are in turmoil.

Based on two memoirs set more than 50 years apart it’s a story about self-discovery, relationships, the art of French cuisine and how to boil the perfect egg. We cut between the 1950’s and 2002 where Meryl Strepe and Amy Adams show us the way around a kitchen and how food can make or break a relationship.

After the gross exercise in smug self-indulgence that was Kill Bill and the sadly inconsequential tackiness of Death Proof, Quentin Tarantino looks to be back on form in the utterly demented joy that is Inglourious Basterds.

Zombieland comes lurching out of the same genre as that of 2004’s Shaun of the Dead, a film which set the bar for the zomcom, and it set it pretty high. Luckily, Zombieland has still got enough going for it to compare favorably with the yardstick.

The Fourth Kind has been endlessly marketed as the next big thing in the docu-drama niche, touting its real-to-life credentials with all the po-faced gravitas of a clinically depressed geography teacher. A cursory glance, let alone a detailed investigation, is all you need to discover that somebody, somewhere, is covering up the truth regarding their background material…

It’s always refreshing when a thinking person’s rom-com comes around. An Education is not only beautifully constructed, but with wonderful performances, a tight script and questions of love that are difficult to wriggle out of, it’s a film that really grips its audience. Charming, sleek and funny, it’s hard not to be won over by this twisted romance. Just be careful, if we’ve learnt anything, its the danger of the power of seduction.

A small-time crook is given a week to rustle up the money he owes to a serious big fish, or else his loved one gets it. It’s not exactly a premise of shocking originality, but Dead Man Running is a perfectly enjoyable beat-em-up ask-em-later romp that will satisfy those just looking for a bit of fun, innit gunva.

Surrogates shows us a bleak vision of the future (seriously, is there any other type of future according to films?) in which people have the power to create flawless robot versions of themselves. Why, you may ask? Well that’s not really the point, is it? Cos it’s cool. This film explores – with predictable pessimism – a future in which our lives are controlled by machines. And though it’s a little dull in terms of overall message, this is still good, Bruce-Willis-based fun, ensuring you 88 minutes of non-stop action.

The Firm is a re-make of a classic TV film of the same name, originally directed by Alan Clarke for the BBC. Not only was it critically acclaimed, but it also Gary Oldman his springboard into stardom. Well done all round, we’re sure you’d agree. So could this re-make push the accolade of the original? Considering the director is Nick Love, a man well versed in football hooliganism having directed both The Football Factory and The Business, we went into this rather optimistically. The result? A well paced, humourous and action-filled hooligan romp which is well worth a watch, without really adding anything new to the original