0th world problems abound.

A fiery horse with the speed of light, a cloud of dust, and a hearty “Hi-ho, I’m a massive racist!”, Johnny Depp!

New trailer for M. Night Shyamalan’s latest brain-fart.

Needs more Salt.

Mace Windu’s fabulous purple lightsaber to make an appearance in Star Wars VII?

The Man With The Iron Fists is more of a bloviated vanity piece by lead/director/writer/composer RZA than an homage to Chinese martial arts cinema. Proving that mediocre and poorly-edited action sequences are no substitute for a coherent screenplay, this film is an hour and a half of unenjoyable tosh that never even approaches the level of violence, gore, or fun that it promises. Someone better wrap RZA in a warm blanket and put him back to bed, he’s obviously not ready to be doing films yet.

Are you tired of long, cold, wintry nights with nothing to do? Are you thinking that it’s about time somebody appreciated your extensive and totally useless knowledge concerning Spaghetti Westerns of the 1970s? Then you, my friend, are going to love the iconic pub-film-quiz, You’re Gonna Need A Bigger Boat. YGNABB, as we like to call it, has been running since 2003, and tomorrow sees their annual Review of the Year quiz hit the Hackney Picturehouse like an H.G. Wells invasion. Look, it’s the perfect opportunity to show off your movie trivia surrounded by friends and drinks! Not that you don’t do that already, you cheeky monkey…

With the home video release of King of Devil’s Island, one of the most astonishing films of the year, we at Best For Film were lucky enough to be invited to the top of a very tall building in London to interview Norwegian director Marius Holst. Thankfully, his English is superb, and he has plenty of insight into the stark, unforgettable story of the Bastøy Boys.

British films still Great.

A thorough account of the infamous West Memphis Three murder case and its 18 year fallout, Amy Berg’s documentary combines forensic detail with righteous anger to compelling effect. There has been a lot of film dedicated to this particular story, but Berg’s is the first account to provide a complete overview of the murders that befell a rural American community in 1993. From the initial sentencing of three outcast teenagers through the years of legal wrangling and newly discovered evidence, West of Memphis paints a damning portrait of police misconduct in a society all too quick to punish those least able to defend themselves.