That’s nothing – we haven’t even mentioned Beyoncé yet…
Indie films, you say? What, consistent characteristics being that they are independently made, with low budgets and unknown actors, directors and writers? No, no. They’ve got Michael Cera in, mate.
You know what’s better than Wednesday? Friday. But screw you guys, we’ll probably all be dead by then. Let us rejoice at our current aliveness; let us read words about the cinema, understand the words about the cinema and act on the words about the cinema. Hey, let’s go to the cinema! Wednesday!
Adam Sandler’s been nominated for Grown Ups! No, of course not really.
And Colin won Best Actor. Well done Colin. We love you.
Love Actually meets The Day After Tomorrow: The Coen Brothers celebrate Christmas.
When it was first announced that David Fincher, best known for such meditations on violence as Seven and Fight Club, had taken up directorial reins on a film about the founding of Facebook, it’s fair to say that some film fans found themselves confused. Why had Fincher attached himself to such a potential snoozefest? Well, now we have the answer. With a story driven by sharp dialogue and an unrelenting pace, The Social Network is anything but boring. A beautifully acted character study, it asks real questions about the nature of business, friendship and loyalty – and we don’t just mean online.
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