Released in 2005, the original Nanny McPhee was a strong successor to Mary Poppins in every way. Adapted from the Nurse Matilda books by Christianna Brand, the film pitted seven mischievous tykes against an ugly woman with a snaggle tooth, warts and an oversized nose, who had a few tricks up her sleeve when it came to childcare. Susanna White’s colourful sequel casts an even more bewitching spell, introducing the mysterious nanny to a family in crisis in wartime Britain.

Jen wasn’t the only one who felt strapped to her seat whilst experiencing The Bounty Hunter. Joyless, clichéd and hackneyed, we never want to watch Gerard Butler in a rom-com again. Do you hear us Gerard? Do you?

Kung Fu Panda: Secrets of the Furious Five sees Po return to teach a rabble of young bunnies the philosophy of the ancient Chinese art. The short animated feature, originally a deluxe DVD extra, is now a film in its own right. But is it cute and succinct or a not-so-secret attempt to simply rake in more money?

So, the UK Film Council is to be axed. There are really only two things to do in reaction to such baffling news: a) follow in the steps of over 12,000 film fans and sign our official online petition here b) then proceed to remind yourselves of what the UKFC has brought to our screens in the last ten years, starting with the exhilarating horror sequel 28 Weeks Later.

The 2007 film adaptation of Monica Ali’s novel Brick Lane is reason enough in itself to sign our petition to save the UK Film Council funding scheme. The picture, which was directed by Sarah Gavron, went on to win a silver Hitchcock award and best screenplay at the Dinard Festival of British Cinema. Now is the time to show your support for our independent filmmakers in order for successes such as this to continue.

With the final instalment of the Toy Story trilogy opening in cinemas this week, it’s no wonder that parents (and grown-ups furtively pretending to be parents in order to justify their DVD collection) are stocking up on the celebrated parts one and two. Already being hailed as one of history’s most successful film trilogies, it looks like we’ll be seeing a lot more DVD love from Woody, Buzz and the entire Toy Story team. And we couldn’t be happier about it.

Christopher Nolan continues on his one man mission to illustrate that the terms ‘genius’ and ‘blockbuster’ need not be mutually exclusive with his film Inception. A mystery, wrapped in an enigma, tied up with a dream, Inception is a a cinematic puzzle that to solve is to love.

Generally speaking, romantic comedies fail to deliver on at least half their remit. So when you find a film which genuinely makes your heart ache as much as your stomach, it’s worth celebrating. Heartbreaker is just such a film.

In Tetro, we are given a fascinating and absorbing insight into a family plagued by regret, paralysed by rivalry and past betrayal. Unfortunately, though using highly personal material makes Coppola’s film shine, it also holds it back from real achievement.

It may be strange to think it, but in an age where we’re so used to 3D creatures, pixilated flying houses and talking toys, a 2D film can be considered pushing the boundaries of today’s kids entertainment. Gone is the golden age of Disney classics- The Lion King, The Little Mermaid, Aladdin – all-singing, all dancing, all bloomin’ marvelous. Today what kids want is explosions, nifty special effects and some smooth-talking robots, right?