We all know that movie cliché where the girl bumps into her ex at the supermarket and is totally embarrassed and falls over and makes a damn fool out of herself. But what about when you are offered a part in a film only to find out that acting right opposite is your old “racket buddy”?
And there should be a plethora of good reasons, but Kunis has not one.
… or should that be anti-twitter campaign?
When it was first announced that David Fincher, best known for such meditations on violence as Seven and Fight Club, had taken up directorial reins on a film about the founding of Facebook, it’s fair to say that some film fans found themselves confused. Why had Fincher attached himself to such a potential snoozefest? Well, now we have the answer. With a story driven by sharp dialogue and an unrelenting pace, The Social Network is anything but boring. A beautifully acted character study, it asks real questions about the nature of business, friendship and loyalty – and we don’t just mean online.
With its cast including Paul Walker, Hayden Christensen and Chris “Rihanna’s ex” Brown, Takers was never overly likely to make audiences think too hard. Given its title because its anti-heroes like to take things (told you it wasn’t a thinker), the plot follows a gang of bank robbers as they plan a $30 million heist, unaware that a hard-boiled detective is closing in on them, determined to crack the case. What results is a dodgy pastiche of crime films everywhere – fun in places, but ultimately brainless.