How would you define ‘guilty pleasure’? Listening to ABBA? Stealing Pick’n’Mix? Cutting up orphans and dissolving them in an acid bath? Those are all valid examples of guilty pleasures, but now that Burlesque exists they only qualify thanks to the same sort of linguistic technicality which allows us to simultaneously describe both Ann Widdecombe and Natalie Portman as ‘people’. More addictive than crack and less than half as nutritious, Burlesque is a whole new filthy world of awesome.
Will this new dynamic duo draw in the elusive younger audience Hollywood craves?
Everybody knows Christmas is a time for cinema, but this year there aren’t many fresh festive treats being served up. So in the spirit of charity and knowing what it’s like not to want to talk to your family, we’ve scoured the charts for December and found the films most likely to placate your clan for most of the festive season. Did someone say ‘eye-popping CGI and childish plotlines’?
Bruce Willis. Morgan Freeman. John Malkovich. Dame Helen Mirren. These are hefty names. It might seem reasonable to assume that a film capable of bringing them together would be pretty bloody special, mightn’t it? Unfortunately, it seems that all it takes is a production company with very deep pockets. Seeing Red is a truly unhappy experience which you are advised to avoid.
In the run up to what would have been Princess Diana’s 50th birthday, not one, but two films are set to be released with Keira Knightley and Charlize Theron both cast as the lady who captured the nation’s hearts.
If you were worried you’d lost that loving feeling for Top Gun (1986 was a long time ago) then prepare your libido for a good bit of excitement as the Top Gun 2 project is rumoured to be in the works.
Morgan Freeman has been awarded the American Film Institute’s Life Achievement Award. Quite right too.
The world of film is awash with Marmite topics – actors, genres or even cinematic styles which make some movie-goers dampen their plush seats and others tear the stuffing from the punter in front. In our J’accuse series, two of Best For Film’s writers go head-to-head and debate a controversial aspect of cinema. This time round it’s the worst nightmare of every indie Japanese director – the Hollywood remake.
After the major flop (in my eyes) that was Eat Pray Love, Julia Roberts is all set to star opposite the numerous award winner, Meryl Streep. Deserved? Hmm, I’ll have a think about it.
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