Music in film is a bloody good thing, but too often it’s just used as an ambient curtain in the background so you’re not sitting in a cinema listening to silence. Because silence is scary. Sometimes, however, music is an actual plot point, and here are some top notch examples.
It might make a pretty nifty door poster. Or perhaps not.
Acclaimed Korean director Park Chan-wook presents his American debut; a fairytale with a gothic twist. The story of a teenage girl’s sexual awakening could not be more beautifully shot or stylishly presented. Part horror, part psychological thriller and part coming-of-age drama, Stoker is full of surprises.
According to statistics, you guys just can’t get enough of scaring yourselves shitless. Always keen to please, us lovely folks at BFF have collaborated a Top 10 list of the best horror films we think will be worth crapping your pants for this year. And with Texas Chainsaw 3D thoroughly shoved under the carpet forever, we can start with some decent horrors. Sadly, Jesus Hates Zombies didn’t make the cutting. So what did?
The new trailer for gothic fairytale Stoker shows Mia Wasikowska getting closer to her mysterious uncle.
Set to run from February 14th – February 24th, Glasgow Film Festival has this week announced its line-up for 2013. With some incredible films in the schedules, we at Best For Film are here to make much ado about something.
Assuming the Mayans don’t bring their A-game and take out the entire world by New Year’s Eve (not likely; one thing we know about Mayans is they’re hella lazy), it will soon be 2013. And you know what that means – LOADS of shiny new 2013 films! We’ve trawled the Internet to find the Hollywood big-hitters most likely to get us going in what future generations will probably remember as 4346 in the Korean calendar. Depending on, you know, factors.
London’s seventh annual Korean Film Festival is in full swing! Running until November 11th, it’s a rare showcase of popular Korean filmmaking, offering an insight into a culture as in love with pop music, fashion and Hollywood as our own. Bringing over the cream of a remarkably strong national cinema, the KFF continues to expose audiences to a fascinating dichotomy of the alien and familiar, as all the tried and true tropes of genre cinema are played out in a foreign language.
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