The revenge genre is crowded with jilted Brides and freed slaves, but in Dead Man Down Colin Farrell shows us that humble Hungarian immigrants have feelings too. While Oplev’s film may be ill-suited to the summer season (it’s slow-burning and relatively subtle), it could still pass the time on a rainy Monday evening.
Glasses. They’re weird, aren’t they? Bits of plastic or glass slapped over your stupid face that either serve a purpose by bending light in the exact way that your warped and pathetic eyeballs fail to do, or they serve no purpose other than to obscure your epidermis. Why would anyone bother compiling a list of glasses? Because we’re Best For Film AND THAT’S HOW WE ROLL.
FINALLY! THE ROCK HAS… said he fancies a part in The Expendables 3.
A cluster of explosions and a lot of macho male bonding makes the fifth Die Hard film, A Good Day To Die Hard, look like the perfect addition to an extremely successful franchise. But thanks to director John Moore and writer Skip Woods, this is a forgettable addition to in a long line of hitherto legendary action films, doomed to disappoint fans and numb newcomers to the films accordingly.
The director of End of Watch is writing/directing a WW2 drama.
Lynne Ramsay’s next film will be a western called Jane Got a Gun starring Rodrigo Santoro, Natalie Portman, Michael Fassbender and Joel Edgerton.
We know ‘centenary’ doesn’t just mean ‘hundredth’, but have you ever stretched out a single, citrussy idea into more than two years of blogs? Have you bollocks. As Best For Film’s least SEO-friendly feature ever celebrates its arrival into triple digits, we’ve rounded up a rogues’ gallery of our best and brightest writers to bring you simply the best ever low-down of the week’s movies. OWLs forever!
Snipe London
Recent Comments