Since the apparent collapse of Inferno: A Linda Lovelace Story, the task of introducing a new audience to the world’s most famously capacious throat and the woman who came with it has fallen entirely to Rob Epstein’s Lovelace. Unfortunately, a gorgeous performance from Amanda Seyfried can’t eclipse ninety minutes of hopeless bias and wilful whitewashing.…

Today’s Top Ten is brought to you by the jerry-built Best For Film bookcase, which this morning decided to collapse. At the top of the pile of undignifiedly dislodged books was a hefty volume of Roald Dahl short stories, and flicking through the pages we dusted off our Matilda bunches and decided that it was a sign. Forget Willy Wonka – although The Great Glass Elevator wasn’t all fun and games, frankly – and dive, Augustus Gloop-like, into the murky depths of Dahl’s imagination…

The Little Prince has a big address book.

More news on more movies to come!

Planning on heading to you local cinema tonight? Will you be using your joyous 2-for-1 ticket to see Oblivion, Spring Breakers, The Host (who ARE you?!) or something completely different? There’s just so very many choices – it’s too much for one small human being to figure out by themselves. Luckily for YOU, there’s a team of tame film reviewers on standby – and they can’t WAIT to forcefeed you their opinions…

Harmony Korine is the sort of man you’d want to avoid if you bumped into him in a dark alleyway, judging by the skewered imaginings he brings to life on the silver screen. From films about sex-crazed criminal teens, like Spring Breakers and Kids, to his unfinished documentary Fight Harm (yup, the one which features Harmony being brutally beaten over and over again), there’s definitely a lot worth knowing about this controversial writer-director. And we’re here to provide all of that knowing on a silver platter…

Disney angels turning seedy Hollywood. That’s been the primary hype surrounding Harmony Korine’s latest R-rated project. And it’s a shame really, because this is much more than just teen queens in bikinis behaving as you’ve never seen them before; this is a dissection of a generation and an expose on the psychedelic trip that is Spring Break.

Franco eyed to star in politically touchy script

Ariel Vromen’s The Iceman sets out to chill and certainly succeeds. It is nothing but cold throughout, and I’m not just referring to Michael Shannon’s relentless, deadpan stare and unfeeling eyes. Genre fans will find a lot to love here.

Oz: the Great and Powerful, the prequel to 1939’s The Wizard of Oz that everyone has been clamouring for these past 70-odd years (ahem), is most surprising in that it’s nowhere near the mess it promised to be. Luridly colourful and garish, but filled with likable performances and some excellent 3D. But while it may not be a total mess, but that’s not to say that it isn’t still wildly inconsistent at times.