Jennifer Aniston gets her tits out again in this potentially-funny-but-not-quite comedy. Oh, and you don’t actually get to see her tits, so there really isn’t altogether that much to see here.

The perfect selection to get the 2012 Glasgow Film Festival off to a strong start, Lynn Shelton’s Your Sister’s Sister is a warm hearted treat. The story of three unhappy individuals attempting to rediscover themselves in a remote island bungalow, the film takes the potential makings of melodrama and uses them to craft something unexpectedly enjoyable. Fuelled by consistently excellent dialogue and anchored by a thoroughly likeable leading trio, it should leave even the cynical feeling warm and fuzzy inside.

It’s a sniper showdown! Except that the characters are so one-dimensional that they may as well be shooting cardboard cut-outs at a shooting range.

Combine a found-footage film style with a high-school party film and what do you get? The craziest, most destructive house party ever seen in cinema. It’s all a bit pointless, but it’s still pretty good fun.

Interesting more as a window onto 60’s Paris and the spectacle that was Brigitte Bardot than as a piece of film, Love on a Pillow is unlikely to appeal to many who are just hoping for a decent movie.

Eventually Special Forces turns into a damn good survival thriller set in a beautifully captured Middle Eastern landscape. It’s just a shame you have to sit through an hour of numb, generic action to get there.

Tilda Swinton shines as the troubled mother of an even more troubled child. Though ‘shines’ is probably the wrong word to use for such a startingly bleak performance.

A who’s who of pensionable British talent is shipped off to the colonies for The Best Exotic Marigold Hotel, a charming comedy which makes full use of its intoxicating setting and first-rate cast. Ever wished Love Actually had more curry and jokes about hip replacements?

Ever wondered what it would feel like to be told after the event that your lap-dancer has crabs? Wonder no more – this exploitation thriller come ho-mance will take you through it step by sordid step.

StudioCanal are re-releasing Jean Renoir’s finest hour back into cinemas, in honour of it’s 75th birthday. Do yourself a huge favour and go; this comic gem is as relevant as it’s ever been.