Good for you, Evan. You’re forgiven for The Ides of March.

This review was first published on Steven’ website Popcornaddiction.com – if you liked it, give him some hits! While servicing the Hubble Space Telescope in orbit around Earth, astronaut Matt Kowalski (George Clooney) and Mission Specialist Dr. Ryan Stone (Sandra Bullock) are alerted by Houston to approaching debris from a damaged Russian satellite. Although initially…

Thanks to the Prince Charles Cinema, Nipponophile and Studio Ghibli expert Vincent was recently given the chance to watch Kiki’s Delivery Service on the big screen – a full twenty-four years after it first appeared in cinemas. But how does the tale of one tiny witch and her chatty cat stand up to a repeat viewing? Pretty bloody well, as it turns out.

Harald Zwart, while speaking about his adaptation of young adult fantasy novel The Mortal Instruments, has cited The Exorcist and the original version of The Thing as influences. Zwart says he thinks it’s good for kids to be scared, and I agree to some extent. Children use films to explore feeling. Fear, loss, confusion; they’re all up on screens from the get go. But Zwart’s desire to scare seems too outspoken, too full-frontal for a children’s tale.

Screenings are important. Screenings are how I discovered that Carrie is the scariest film ever made. Screenings are how I got to see Tommmy Wiseau tell a ten minute story about leather jackets. Screenings are responsible for the only tolerable instance I’ve seen of someone eating nachos in a cinema, albeit fancy ones. The guys from Scalarama are firmly in agreement with these statements, and they want to get you involved.

Since the apparent collapse of Inferno: A Linda Lovelace Story, the task of introducing a new audience to the world’s most famously capacious throat and the woman who came with it has fallen entirely to Rob Epstein’s Lovelace. Unfortunately, a gorgeous performance from Amanda Seyfried can’t eclipse ninety minutes of hopeless bias and wilful whitewashing.…

It’s no big news that Hollywood loves an unoriginal idea. Sequels, prequels, reboots, remakes – if it’s already made money, it’s going to make more. The latest Tinseltown news to set your eyeballs rolling is that we can now expect a 4th instalment from the Beverly Hills Cop series. It’s been 10 years since Eddie Murphy’s trash talking cop has graced our screens. The franchise is the pinnacle of 80s nostalgia – and that’s probably where it should remain.

We review a lot of films. You’ve probably noticed. But this is the first time that we’ve reviewed a film which had BFFers starring in it, BFFers helping write it..

Continuing our mission to catalogue the top 5 films in every single genre for the last thousand years in every single reality of the multiverse (our favourite is the universe where every person looks like Ellen Page), we at Best For Film have chose our top 5 sci-fi films from waaay back in 2012. Want to talk about your favourite five romantic comedy films of 1997, or the top dramas of 2006? Get in touch at [email protected] now!

In 2009, a zombie film by the unassuming name of Colin premiered at Cannes Film Festival. Made by young filmmaker Marc Price for the bafflingly low sum of £45, Colin proved to be a surprise hit, attracting the attention of Mark Kermode, The Guardian’s Peter Bradshaw and – most impressive of all – Martin Scorsese, who described the film as taking the “zombie idea to another level”. Where next, then, for the man who started so conspicuously well? Price’s answer was to tackle an emotional drama, and the result is his second feature Magpie. We met up to discuss his newest film, his biggest inspirations and what’s next.